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Xanti Thoka

Xanti Thoka āĻāĻ—ā§°āĻžāϕ⧀ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύ⧰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āĻļāĻžāĻ¨ā§āϤāĻŋā§° āĻĒā§ā§°āĻžā§°ā§āĻĨāύāĻž āφ⧰⧁ āĻĒā§ā§°āĻ•ā§ƒāϤāĻŋā§° āϏ⧈āϤ⧇ āφāĻ¤ā§āĻŽāĻŋāĻ• āϏāĻ‚āϝ⧋āĻ—ā§° āϕ⧋āĻŽāϞ āϏāĻ‚āĻ—ā§€āϤāĻŽāϝāĻŧ āĻĒā§ā§°āĻ•āĻžāĻļāĨ¤ āĻŦā§°āώ⧁āĻŖ, āύāĻĻā§€, āĻœā§‹āύāĻžāĻ• āφ⧰⧁ āĻĒāĻžāϤ⧰ āĻļāĻŦā§āĻĻā§° āĻŽāĻžāĻœā§‡ā§°ā§‡ āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻŦāĻŋāĻšā§āϛ⧇āĻĻā§° āĻŦ⧇āĻĻāύāĻžāĻ• āφāĻļāĻžāĻŦāĻžāĻĻā§€ āĻšāĻžāρāĻšāĻŋ āφ⧰⧁ āϏ⧁⧰⧰ āĻļāĻžāĻ¨ā§āϤāĻŋāϤ ā§°ā§‚āĻĒāĻžāĻ¨ā§āϤ⧰ āϕ⧰⧇āĨ¤

1 days ago

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āĻ›āĻžāύāĻŋāϝāĻŧāĻžā§° āφāĻļāĻžā§° āϏāĻĒā§‹āύ

āĻāχ āĻ—ā§€āϤāĻŸā§‹ āĻ›āĻžāύāĻŋāϝāĻŧāĻžā§° āĻ•ā§°ā§āĻŽāĻœā§€ā§ąāύ, āĻŽāĻžāĻ¨ā§ą āĻ¸ā§‡ā§ąāĻž āφ⧰⧁ āφāĻļāĻžāĻŦāĻžāĻĻā§€ āϏāĻĒā§‹āύāĻ• āϞ⧈ ā§°āϚāĻŋāϤ āĻāĻ• āφāĻ¨ā§āϤ⧰āĻŋāĻ• āφāĻļā§€ā§°ā§āĻŦāĻžāĻĻāĻŽā§‚āϞāĻ• āϏāĻ‚āĻ—ā§€āϤāĨ¤ āύāĻ—āĻžāρāĻ“ āϜāĻŋāϞāĻžā§° āĻ¨ā§ąāĻĒā§ā§°āĻ­āĻžāϤ, āĻŽāĻžāύ⧁āĻšā§° āĻŽā§°āĻŽ āφ⧰⧁ āĻĻ⧇āĻļā§° āφāĻļāĻŋāϏ⧰ āĻĒā§ā§°āϤ⧀āϕ⧇⧰⧇ āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āϤ⧇āĻ“āρ⧰ āĻĒāĻĨ āϏāĻĻāĻžāϝāĻŧ āĻĒā§‹āĻšā§°āĻžāχ ā§°āĻ–āĻžā§° āĻ•āĻžāĻŽāύāĻž āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰āĻŋāϛ⧇āĨ¤

1 days ago

3
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āϤ⧁āĻŽāĻŋ āĻāĻĒāĻžāĻšāĻŋ āĻĢ⧁āϞ

āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύāĻ• āĻĒā§ā§ąāĻžā§° āĻŦāϤāĻžāĻš, āĻĢ⧁āϞ⧰ āϏ⧁āĻŦāĻžāϏ āφ⧰⧁ āĻ—āĻžāĻā§ąā§° āϏ⧇āωāĻœā§€āϝāĻŧāĻž āĻ¸ā§āĻŽā§ƒāϤāĻŋā§° āϏ⧈āϤ⧇ āϤ⧁āϞāύāĻž āϕ⧰āĻŋāϛ⧇āĨ¤ āϕ⧋āĻŽāϞ āĻĒā§ā§°ā§‡āĻŽ, āύāĻŋā§°āĻžāĻĒāĻ¤ā§āϤāĻž āφ⧰⧁ āφāĻœā§€ā§ąāύ āϏāĻ‚āϗ⧀⧰ āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋ⧰⧇ āĻ­ā§°āĻž āĻāχ āĻ—ā§€āϤāϤ āĻĒā§ā§°āĻ•ā§ƒāϤāĻŋ āφ⧰⧁ āĻŽāĻžāĻ¨ā§ąā§€āϝāĻŧ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āĻāϕ⧇āϞāϗ⧇ āĻŽāĻŋāϞāĻŋ āĻāĻ• āωāĻŽāĻžāϞ ā§°ā§‹āĻŽāĻžāĻ¨ā§āϟāĻŋāĻ• āϜāĻ—āϤ āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰āĻŋāϛ⧇āĨ¤

2 days ago

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āϤ⧁āĻŽāĻŋ āĻŽā§‹ā§° āύāĻĻā§€

āĻāχ ā§°ā§‹āĻŽāĻžāĻ¨ā§āϟāĻŋāĻ• āĻ…āϏāĻŽā§€āϝāĻŧāĻž āϞ⧋āĻ•-āĻĻā§āĻŦ⧈āϤāĻ—ā§€āϤāϤ āύāĻžā§°ā§€ āφ⧰⧁ āĻĒ⧁⧰⧁āώ āĻ•āĻŖā§āĻ āχ āĻĒā§ā§°ā§‡āĻŽ, āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āφ⧰⧁ āĻāϕ⧇āϞāϗ⧇ āĻœā§€ā§ąāύ āĻ—āĻĸāĻŧāĻžā§° āϏāĻĒā§‹āύ āĻ—āĻžāχāϛ⧇āĨ¤ āύāĻĻā§€-āĻĒāĻžā§°, āĻŦāĻžāρāĻšā§€-āϏ⧁⧰ āφ⧰⧁ āĻĒāϞāĻžāĻļā§€ āφāĻŦ⧇āϞāĻŋā§° ā§°ā§‚āĻĒāϕ⧇ āĻĻ⧁āϟāĻž āĻšā§ƒāĻĻāϝāĻŧā§° āĻ…āĻŦāĻŋāĻšā§āϛ⧇āĻĻā§āϝ āĻŦāĻ¨ā§āϧāύ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰āĻŋāϛ⧇āĨ¤ āĻĸā§‹āϞ, āĻ–ā§‹āϞ, āĻĒ⧇āρāĻĒāĻž, āĻ—ā§€āϟāĻžā§° āφ⧰⧁ āϕ⧋āĻŽāϞ āĻŦāĻžāĻĻā§āϝāϝ⧋āϜāύāĻžāχ āĻ—ā§€āϤāĻŸā§‹āĻ• āωāĻŽāĻžāϞ, āĻ—āĻžāĻā§ąāϞ⧀āϝāĻŧāĻž āĻ…āĻĨāϚ āφāϧ⧁āύāĻŋāĻ• ā§°ā§‚āĻĒ āĻĻāĻŋāϛ⧇āĨ¤

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5
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āĻŦā§ā§°āĻšā§āĻŽāĻĒ⧁āĻ¤ā§ā§°ā§° āĻĒāĻžā§°āϤ āφāϜāĻŋ

āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻĻ⧁āϟāĻž āĻšā§ƒāĻĻāϝāĻŧā§° āĻĒā§ā§°ā§‡āĻŽāĻ• āϏāĻ•āϞ⧋ āĻŽāĻžāύ⧁āĻšā§° āĻĒā§ā§°āϤāĻŋ āĻĻāϝāĻŧāĻž, āϏāĻšāĻŽā§°ā§āĻŽāĻŋāϤāĻž āφ⧰⧁ āφāĻļāĻžā§° āϏ⧈āϤ⧇ āĻŽāĻŋāϞāĻžāχāϛ⧇āĨ¤ āĻŦā§ā§°āĻšā§āĻŽāĻĒ⧁āĻ¤ā§ā§° āχāϝāĻŧāĻžāϤ āϏ⧀āĻŽāĻžāĻšā§€āύ āĻĒā§ā§°ā§‡āĻŽ, āϐāĻ•ā§āϝ āφ⧰⧁ āĻŽāĻžāĻ¨ā§ąāϤāĻžā§° āĻĒā§ā§°āϤ⧀āĻ•; āĻĒ⧁⧰⧁āώ-āύāĻžā§°ā§€ āĻ•āĻŖā§āĻ ā§° āϏāĻ‚āϞāĻžāĻĒ⧇ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāĻŸā§‹āĻ• āĻ…āϧāĻŋāĻ• āĻœā§€ā§ąāĻ¨ā§āϤ āϕ⧰āĻŋ āϤ⧋āϞ⧇āĨ¤

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6
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āĻŽāχ āĻ…āϕ⧁ āωāĻŦāϤ⧀āĻšāĻŋāĻŽ

āĻāχ āĻ—ā§€āϤāĻŸā§‹ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ, āĻĻā§€āϘāϞ⧀āϝāĻŧāĻž āĻĒāĻĨ āφ⧰⧁ āϧ⧁āĻŽā§āĻšāĻžā§° āĻŽāĻžāϜāϤ⧋ āφāĻĒā§‹āύ āĻŽāĻžāύ⧁āĻš, āĻŽāĻžāϟāĻŋ āφ⧰⧁ āύāĻŋāϜ⧰ āϏ⧁⧰āϞ⧈ āωāĻ­āϤāĻŋ āĻ…āĻšāĻžā§° āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋāĨ¤ āϕ⧋āĻŽāϞ āĻ…āĻ¨ā§āϤ⧰āĻž āφ⧰⧁ āωāĻœā§āĻœā§āĻŦāϞ, āφāĻŦ⧇āĻ—āϘāύ chorus-āĻ āϘ⧰, āφāĻļāĻž, āĻ¸ā§āĻŽā§ƒāϤāĻŋ āφ⧰⧁ āĻĒ⧁āύ⧰āϜāĻ¨ā§āĻŽā§° āĻāĻ• āĻ…āĻ¨ā§āϤ⧰āĻ‚āĻ— āϏāĻ‚āĻ—ā§€āϤāĻŽāϝāĻŧ āĻ›āĻŦāĻŋ āφāρāϕ⧇āĨ¤

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7
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āĻŽā§‹ā§° āĻŽā§‡āĻ˜ā§‡ āĻĸāĻ•āĻž āφāĻ•āĻžāĻļāϤ

āĻāχ āĻ—ā§€āϤāϤ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύāĻ• āĻ…āĻ¨ā§āϧāĻ•āĻžā§°, āύāĻŋāϏāĻ‚āĻ—āϤāĻž āφ⧰⧁ āĻļ⧁āĻ•āĻžāύ āĻœā§€ā§ąāύāϤ āĻĒā§‹āĻšā§°, āĻŦā§°āώāĻž, āĻĢ⧁āϞ āφ⧰⧁ āφāĻļāĻžā§° ā§°ā§‚āĻĒāϤ āĻ…āύ⧁āĻ­ā§ą āϕ⧰āĻž āĻšā§ˆāϛ⧇āĨ¤ āĻĒā§ā§°āĻ•ā§ƒāϤāĻŋā§° āϚāĻŋāĻ¤ā§ā§°āĻ•āĻ˛ā§āĻĒ āφ⧰⧁ āϕ⧋āĻŽāϞ āĻĒā§ā§°ā§‡āĻŽā§° āĻ­āĻžāώāĻžāχ āĻ—ā§€āϤāĻŸā§‹āĻ• āĻāĻ• āĻ—āϭ⧀⧰, āύāĻˇā§āϟāĻžāϞāϜāĻŋāĻ• āφ⧰⧁ āφāĻļāĻžāĻŦāĻžāĻĻā§€ āφāĻŦ⧇āϗ⧇⧰⧇ āĻ­ā§°āĻžāχ āϤ⧋āϞ⧇āĨ¤

3 days ago

8
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Alahe Bujung Ami

āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻļāĻŋāĻ•ā§āώāĻž, āϚāĻžāϕ⧰āĻŋ āφ⧰⧁ āĻœā§€ā§ąāύ⧰ āĻĒāĻĨāĻ• āϞ⧈ āĻāϜāύ āĻŽāĻžāύ⧁āĻšā§° āωāĻĻā§āĻŦ⧇āĻ— āφ⧰⧁ āφāĻ¤ā§āĻŽāϏāĻ‚āϘāĻžāϤ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰⧇āĨ¤ ‘Alahe bujung ami’ āĻĒ⧁āύ⧰āĻžāĻŦ⧃āĻ¤ā§āϤāĻŋāϝāĻŧ⧇ āĻ…āϏāĻšāĻžāϝāĻŧāϤāĻž āφ⧰⧁ āĻ—āϭ⧀⧰ āϚāĻŋāĻ¨ā§āϤāĻžā§° āĻĒā§ā§°āϤ⧀āĻ• āĻšā§ˆ āωāϠ⧇, āφāύāĻšāĻžāϤ⧇ āĻŦāĻžāρāĻšā§€, harmonium āφ⧰⧁ āϧ⧀⧰ electronic beat-āĻ āĻŦāĻŋāώāĻžāĻĻāĻŽāϝāĻŧ āĻ…āĻĨāϚ āφāϧ⧁āύāĻŋāĻ• āϞ⧋āĻ•āϏ⧁⧰⧰ āφāĻŦāĻš āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰⧇āĨ¤

3 days ago

9
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āϤ⧁āĻŽāĻŋ āύ⧋āĻšā§‹ā§ąāĻž āϏāĻ¨ā§ āϏāĻ¨ā§āϧāĻŋāϝāĻŧāĻž

'āϤ⧁āĻŽāĻŋ āύ⧋āĻšā§‹ā§ąāĻž āϏāĻ¨ā§āϧāĻŋāϝāĻŧāĻž' āĻāϟāĻŋ āĻ†ā§ąā§‡āĻ—āĻŋāĻ• āφ⧰⧁ āϏ⧁⧰⧀āϝāĻŧāĻž āĻ…āϏāĻŽā§€āϝāĻŧāĻž āχāĻŖā§āĻĄāĻŋ-āĻĢ'āĻ• āĻ—ā§€āϤāĨ¤ āĻŦā§°āώ⧁āĻŖā§€āϝāĻŧāĻž āϏāĻ¨ā§āϧāĻŋāϝāĻŧāĻžāϤ āĻĒā§āϰāĻŋāϝāĻŧāϜāύ⧰ āĻ…āύ⧁āĻĒāĻ¸ā§āĻĨāĻŋāϤāĻŋ, āĻĒ⧁⧰āĻŖāĻŋ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āφ⧰⧁ āĻ…āĻĒ⧇āĻ•ā§āώāĻžā§° āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāĻ• āĻāĻ•ā§‹ā§ąā§‡āĻˇā§āϟāĻŋāϕ⧇āϞ āĻ—āĻŋāϟāĻžā§° āφ⧰⧁ āĻŦāĻžāρāĻšā§€ā§° āĻ…āϤāĻŋ āĻŽā§°āĻŽ āϞāĻ—āĻž āϏ⧁⧰⧇⧰⧇ ā§°ā§‚āĻĒāĻžāϝāĻŧāĻŋāϤ āϕ⧰āĻž āĻšā§ˆāϛ⧇āĨ¤

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10
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āĻ“ āĻŽā§‹ā§° ā§°āĻžāĻ‚āĻĸāĻžāϞ⧀

'āĻ“ āĻŽā§‹ā§° ā§°āĻžāĻ‚āĻĸāĻžāϞ⧀' āĻš'āϞ āĻāϟāĻŋ āφāύāĻ¨ā§āĻĻāĻĻāĻžā§ŸāĻ• āĻ…āϏāĻŽā§€ā§ŸāĻž āφāϧ⧁āύāĻŋāĻ• āϞ⧋āĻ•-āĻĒāĻĒ āĻĒā§ā§°ā§‡āĻŽā§° āĻ—ā§€āϤāĨ¤ āĻ—ā§€āϤāϟāĻŋāϤ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύ⧰ āĻĒā§ā§°āϤāĻŋ āĻ—āϭ⧀⧰ āĻŽā§°āĻŽ āφ⧰⧁ āĻĒā§ā§°ā§‡āĻŽ āĻĒā§ā§°āĻ•āĻžāĻļ āĻĒāĻžāχāϛ⧇āĨ¤ āĻŦāĻžāρāĻšā§€ā§° āĻŽāϧ⧁⧰ āϏ⧁⧰, āĻāϕ⧁āĻˇā§āϟāĻŋāĻ• āĻ—āĻŋāϟāĻžā§° āφ⧰⧁ āĻĸā§‹āϞāϕ⧰ āĻ›āĻ¨ā§āĻĻ⧇⧰⧇ āĻāχ āĻ—ā§€āϤāϟāĻŋā§Ÿā§‡ āĻļā§ā§°ā§‹āϤāĻžā§° āĻŽāύāϞ⧈ āĻāĻ• āĻ…āĻĒā§‚ā§°ā§āĻŦ āφāύāĻ¨ā§āĻĻ āĻ•āĻĸāĻŧāĻŋāϝāĻŧāĻžāχ āφāύ⧇āĨ¤

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11
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Ekeloge Jamva

āĻāχ āĻ—ā§€āϤāĻ–āύ⧇ āĻŦā§āϝāĻ¸ā§āϤāϤāĻž, āĻ…āĻ­āĻŋāύāϝāĻŧ āφ⧰⧁ āĻŦ⧁āϕ⧁āϤ āϞ⧁āĻ•āĻžāχ āĻĨāĻ•āĻž āĻĻ⧁āĻ– āĻā§°āĻŋ āĻŽā§āĻ•āϞāĻŋ āĻŽāύ⧇ āĻāϕ⧇āϞāϗ⧇ āĻŽāĻŋāϞāĻŋāĻŦāϞ⧈ āĻ•āϝāĻŧāĨ¤ āϧ⧀⧰ āϞ⧋āĻ•-āĻ­āĻ•ā§āϤāĻŋāĻŽā§‚āϞāĻ• āϏ⧁⧰⧇ āĻ—āĻžāρāϓ⧰ āϏāĻŽāĻŦ⧇āϤ āωāĻˇā§āĻŖāϤāĻž, āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦ āφ⧰⧁ āĻŽāĻžāύāϏāĻŋāĻ• āϏāĻžāĻ¨ā§āĻ¤ā§āĻŦāύāĻžā§° āĻ…āύ⧁āĻ­ā§ą āĻ—āĻĸāĻŧ⧇āĨ¤

4 days ago

12
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āĻ•āĻžāϜāĻŋā§°āĻ™āĻž, āĻ•āĻžāĻ¨ā§āĻĻāĻŋāĻŦ āύāĻžāϞāĻžāϗ⧇

āĻāχ āĻ—ā§€āϤāϟāĻŋ āĻ•āĻžāϜāĻŋā§°āĻ™āĻžāĻ• āĻ…āϏāĻŽā§° āĻœā§€ā§ąāĻ¨ā§āϤ āφāĻ¤ā§āĻŽāĻž āĻšāĻŋāϚāĻžāĻĒ⧇ āϚāĻŋāĻ¤ā§ā§°āĻŋāϤ āϕ⧰āĻŋ āĻŦāĻ¨ā§āϝāĻĒā§ā§°āĻžāĻŖ, āĻŦāύāĻ•ā§°ā§āĻŽā§€ āφ⧰⧁ āĻĒā§ā§°āĻ•ā§ƒāϤāĻŋā§° āĻĒā§ā§°āϤāĻŋ āĻŽāĻžāύ⧁āĻšā§° āĻĻāĻžāϝāĻŧāĻŦāĻĻā§āϧāϤāĻžā§° āφāĻšā§āĻŦāĻžāύ āϜāύāĻžāϝāĻŧāĨ¤ āĻŦāĻžāύ, āĻšā§‹ā§°āĻžāĻ‚ āϚāĻŋāĻ•āĻžā§° āφ⧰⧁ āϞ⧋āĻ­ā§° āĻŦāĻŋāĻĒāĻĻā§° āĻŽāĻžāϜāϤ⧋ āχ āϏ⧇āωāϜ āĻ­ā§ąāĻŋāĻˇā§āϝāϤ⧰ āĻāĻ• āĻŦ⧇āĻĻāύāĻžāĻŽāϝāĻŧ āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻļāĻžāĻŦāĻžāĻĻā§€ āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋāĨ¤

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āĻāχāĻŦāĻžā§° āĻŦāĻšāĻžāĻ—āϤ āĻ•āĻŋāĻŦāĻž

āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻŦāĻŋ⧟āĻžā§° āĻĒā§°āĻž āϏāĻĻāĻžā§Ÿ āĻĒāĻ˛ā§‹ā§ąāĻž āĻāϜāύ āĻŦā§°āϞāĻž āĻŦāĻ¨ā§āϧ⧁āĻ• āϞ⧈ āĻŦāĻ¨ā§āϧ⧁āϏāĻ•āϞ⧰ āĻŽā§°āĻŽāĻ­ā§°āĻž āϧ⧇āĻŽāĻžāϞāĻŋ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āϕ⧰āĻŋāϛ⧇āĨ¤ āĻŦāĻšāĻžāĻ— āĻŦāĻŋāĻšā§ā§° āωāĻ›āĻžāĻš, āĻ—āĻžāĻā§ąā§° āĻšāĻžāρāĻšāĻŋ āφ⧰⧁ āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦā§° āϚāĻžāĻĒ āĻŽāĻŋāϞāĻŋ āĻ—ā§€āϤāĻŸā§‹āĻ• āφāύāĻ¨ā§āĻĻāĻŽā§Ÿ, āύ⧃āĻ¤ā§āϝ⧋āĻĒāϝ⧋āĻ—ā§€ āφ⧰⧁ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ‰ā§ŽāĻ¸ā§ąā§° āĻŦāĻžāĻŦ⧇ āωāĻĒāϝ⧁āĻ•ā§āϤ āϕ⧰āĻŋ āϤ⧁āϞāĻŋāϛ⧇āĨ¤

4 days ago

14
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āϚāĻŋāĻĒāϚāĻŋāĻĒāϚāĻŋāĻĒ āĻŦā§°āώ⧁āĻŖ

āĻāχ āĻ—ā§€āϤāϤ āϚāĻŋāĻĒāϚāĻŋāĻĒ āĻŦā§°āώ⧁āĻŖ, āϧ⧋āĻā§ąāĻž āĻ“āĻ˛ā§‹ā§ąāĻž āϚāĻžāĻš, āĻ­āĻŋāϜāĻž āĻŽāĻžāϟāĻŋā§° āĻ—ā§‹āĻ¨ā§āϧ āφ⧰⧁ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύ⧰ āϏāĻžāĻ¨ā§āύāĻŋāĻ§ā§āϝ āĻāϕ⧇āϞāϗ⧇ āĻŽāĻŋāϞāĻŋāϛ⧇āĨ¤ āĻŦā§°āώ⧁āĻŖā§° āĻŽāĻžāĻœā§‡ā§°ā§‡ āĻĻ⧁āϟāĻž āĻšā§ƒāĻĻāϝāĻŧ⧇ āĻ¨ā§€ā§°ā§ą āĻĒā§ā§°ā§‡āĻŽ, āϏāĻĒā§‹āύ āφ⧰⧁ āĻœā§€ā§ąāύāϜ⧁⧰āĻŋ āĻāϕ⧇āϞāϗ⧇ āĻĨāĻ•āĻžā§° āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰⧇āĨ¤

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15
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āĻŽāύāĻŸā§‹ āύāĻžāĻšā§‡

āĻāχ āĻ—ā§€āϤāϤ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύ⧰ āĻšāĻžāρāĻšāĻŋ, āĻŽāĻžāϤ āφ⧰⧁ āϏāĻžāĻ¨ā§āύāĻŋāĻ§ā§āϝāχ āĻŽāύāϤ āĻĒā§ā§°ā§‡āĻŽā§° āϏ⧁⧰ āϜāĻ—āĻžāχ āϤ⧋āϞ⧇āĨ¤ āύāĻĻ⧀⧰ āĻĒāĻžā§°ā§° āϏāĻĒā§‹āύ, āĻĻā§€āϘāϞ āĻĒāĻĨāϤ āĻāϕ⧇āϞāϗ⧇ āĻĨāĻ•āĻžā§° āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋ āφ⧰⧁ āύāĻŋāĻļāĻžā§° āϕ⧋āĻŽāϞ āφāĻŦ⧇āĻļ⧇ āĻ—ā§€āϤāĻŸā§‹āĻ• āĻ…āĻ¨ā§āϤ⧰āĻ‚āĻ—, āφāĻļāĻžāĻŦāĻžāĻĻā§€ āφ⧰⧁ āύ⧃āĻ¤ā§āϝ⧋āĻĒāϝ⧋āĻ—ā§€ āϕ⧰āĻŋ āϤ⧁āϞāĻŋāϛ⧇āĨ¤

4 days ago

16
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āφāύāĻ¨ā§āĻĻā§° āĻĻāĻŋāύ

āφāύāĻ¨ā§āĻĻā§° āĻĻāĻŋāύ āĻ—ā§€āϤāĻŸā§‹ā§ąā§‡ āĻ­ā§‹āϜ, āĻĒā§°āĻŋāϝāĻŧāĻžāϞ āφ⧰⧁ āφāĻĒā§‹āύ āĻŽāĻžāύ⧁āĻšā§° āĻŽāĻŋāϞāύāĻ• āϕ⧇āĻ¨ā§āĻĻā§ā§° āϕ⧰āĻŋ āĻāĻ• āωāĻœā§āĻœā§āĻŦāϞ āĻ‰ā§ŽāĻ¸ā§ąāĻŽā§āĻ–ā§° āφāĻŦāĻš āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰⧇āĨ¤ āϧ⧀⧰ āϞ⧋āĻ•āĻ›āĻ¨ā§āĻĻ, āĻšāĻžāρāĻšāĻŋ, āύāĻžāϚ, āĻĒ⧁⧰āĻŖāĻŋ āϏ⧁⧰ āφ⧰⧁ āϏāĻŽāĻŦ⧇āϤ āĻ•āĻŖā§āĻ āχ āĻŦā§āϝāĻ¸ā§āϤ āĻœā§€ā§ąāύ⧰ āĻĒā§°āĻž āφāρāϤ⧰āĻŋ āĻāϕ⧇āϞāϗ⧇ āϏ⧁āĻ– āωāĻĒāĻ­ā§‹āĻ— āϕ⧰āĻžā§° āφāĻšā§āĻŦāĻžāύ āϜāύāĻžāϝāĻŧāĨ¤

4 days ago

17
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āĻŽāύ āĻĻāĻŋāϝāĻŧāĻž āϞ⧇āĻ–āĻžāĻĒā§°āĻž āϕ⧰

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4 days ago

18
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Hutor Abedon

Hutor Abedon is a warm, mid-tempo Assamese folk-pop instrumental shaped by acoustic guitar, airy flute, hand percussion, plucked bass, temple bells, and layered communal hooks. Its intimate earthy character suggests cultural celebration, reflective travel, village gatherings, and uplifting visual storytelling.

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19
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āϕ⧇āϤāĻŋāϝāĻŧāĻž āĻĒā§ā§ąāĻžāĻŦ ā§°āĻžāϤāĻŋ

'āϕ⧇āϤāĻŋāϝāĻŧāĻž āĻĒā§ā§ąāĻžāĻŦ ā§°āĻžāϤāĻŋ' āĻāĻ• āĻ†ā§ąā§‡āĻ—āĻŋāĻ• āĻ…āϏāĻŽā§€āϝāĻŧāĻž āϞ⧋āĻ•-āĻĒāĻĒ āĻ—ā§€āϤ, āĻ¯â€™āϤ āĻāĻ•āĻžāϕ⧀āĻ¤ā§āĻŦ, āφāĻļāĻž āφ⧰⧁ āφāĻ¤ā§āĻŽāĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧰ āĻ—āϭ⧀⧰ āϏāĻ‚āĻ—ā§ā§°āĻžāĻŽ āĻĢ⧁āϟāĻžāχ āϤ⧋āϞāĻž āĻšā§ˆāϛ⧇āĨ¤ āĻ…āĻ¨ā§āϧāĻ•āĻžā§° ā§°āĻžāϤāĻŋā§° āĻļ⧇āώāϤ āĻĒā§‹āĻšā§°ā§° āϏāĻ¨ā§āϧāĻžāύ āϕ⧰āĻž āĻŽāύ⧰ āϕ⧇āρāϚāĻž āĻ†ā§ąā§‡āĻ— āφ⧰⧁ āĻ—āĻŋāϟāĻžā§°-āĻĢāĻŋāĻĄāϞ⧰ āϏ⧁⧰⧀āϝāĻŧāĻž āĻŽā§‚ā§°ā§āĻšā§āĻ›āύāĻžāχ āĻ—ā§€āϤāĻŸā§‹āĻ• āĻāĻ• āĻ…āύāĻ¨ā§āϝ āĻĒā§ā§°āĻžāĻŖ āĻĻāĻžāύ āϕ⧰āĻŋāϛ⧇āĨ¤

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āĻĒā§ā§ąāĻžāĻŦ āύ⧇āĻ•āĻŋ ā§°āĻžāϤāĻŋ

āĻāχ āĻ—ā§€āϤāϤ āĻĒā§ā§°āĻŋāϝāĻŧāϜāύ⧰ āĻ…āύ⧁āĻĒāĻ¸ā§āĻĨāĻŋāϤāĻŋāϤ āĻĻā§€āϘāϞ⧀āϝāĻŧāĻž ā§°āĻžāϤāĻŋā§° āĻŽāĻžāĻœā§‡ā§°ā§‡ āĻĒā§‹āĻšā§°ā§° āĻ…āĻĒ⧇āĻ•ā§āώāĻž, āĻ…āĻ¨ā§āϤ⧰⧰ āĻĻāĻšāύ āφ⧰⧁ āφāĻļāĻžā§° āĻ•ā§āώ⧀āĻŖ āĻœā§āϝ⧋āϤāĻŋ āĻĒā§ā§°āĻ•āĻžāĻļ āĻĒāĻžāχāϛ⧇āĨ¤ āĻ…āĻ¨ā§āϧāĻ•āĻžā§°ā§° āĻĒā§ā§°āϤ⧀āϕ⧀ āϝāĻžāĻ¤ā§ā§°āĻžāχ āĻļ⧇āώāϤ āĻŽā§āĻ•ā§āϤ āφāĻ•āĻžāĻļ āφ⧰⧁ āύāϤ⧁āύ āĻĒā§ā§ąāĻžā§° āϏāĻŽā§āĻ­āĻžā§ąāύāĻžā§° āĻĻāĻŋāĻļ⧇ āφāĻ—āĻŦāĻĸāĻŧ⧇āĨ¤

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Introduction to Assamese Folk Music

Assamese folk music is a genre of traditional music originating from the northeastern Indian state of Assam. It reflects the cultural diversity and rich heritage of the region, featuring a wide range of musical styles and practices. The history of Assamese folk music dates back centuries and is deeply intertwined with the socio-cultural and religious practices of the Assamese people. It has evolved over time, incorporating influences from various ethnic groups and historical events, while retaining its distinct regional flavor.

Sub-tags and Classifications of Assamese Folk Music

  • Bihu Geet

    Bihu Geet is one of the most popular forms of Assamese folk music, performed during the Bihu festival, which marks the Assamese New Year. These songs are characterized by their upbeat tempo and themes of love, nature, and rural life. Bihu Geet is often accompanied by traditional instruments such as the dhol (drum), pepa (horn), and gogona (jaw harp).

  • Tokari Geet

    Tokari Geet is a form of Assamese folk music named after the tokari, a traditional string instrument used to accompany the songs. These songs often narrate tales of village life, folklore, and social issues. The melodious tunes and poignant lyrics make Tokari Geet a significant part of Assam's musical heritage.

  • Deh Bisaror Geet

    Deh Bisaror Geet, or songs of body seeking, are traditional Assamese funeral songs. These songs are sung during the last rites and are believed to help the departed soul in its journey. The haunting melodies and solemn lyrics reflect the deep spiritual beliefs of the Assamese people.

  • Ainaam

    Ainaam are devotional songs dedicated to the Vaishnavite saint Srimanta Sankardev and other religious figures. These songs are integral to the religious ceremonies and community gatherings of the Assamese people, emphasizing themes of devotion, morality, and spirituality.

Famous Artists and Works in Assamese Folk Music

Dr. Bhupen Hazarika

Dr. Bhupen Hazarika, often referred to as the 'Bard of Brahmaputra,' is one of the most celebrated figures in Assamese folk music. His songs, which address social and political issues, have left a lasting impact on Assamese culture. Notable works include 'Bistirno Parore' and 'Manuhe Manuhor Babe'.

Bistirno Parore

Written and performed by Dr. Bhupen Hazarika, 'Bistirno Parore' is an iconic Assamese folk song inspired by the American song 'Old Man River.' The song reflects the struggles and resilience of the people living along the Brahmaputra River. Its powerful lyrics and haunting melody have made it a timeless classic.

Khagen Mahanta

Khagen Mahanta, known as the 'King of Bihu,' was a prominent folk singer whose contributions to Assamese Bihu Geet are unparalleled. His energetic performances and timeless songs like 'Soru Soru Sewa Kori' have made him a household name in Assam.

Soru Soru Sewa Kori

'Soru Soru Sewa Kori' by Khagen Mahanta is a quintessential Bihu Geet that captures the essence of the Bihu festival. The lively rhythm, traditional instrumentation, and festive lyrics make it a favorite during Bihu celebrations, showcasing the joy and cultural pride of the Assamese people.

Pratima Barua Pandey

Pratima Barua Pandey is renowned for popularizing Goalpariya Lokgeet, a sub-genre of Assamese folk music from the Goalpara region. Her soulful renditions of songs like 'Hastir Kanya' have brought this traditional music form to the national stage.

Hastir Kanya

Performed by Pratima Barua Pandey, 'Hastir Kanya' is a beloved Goalpariya Lokgeet that tells the story of a girl and her elephant. The song's narrative style, coupled with Pandey's emotive voice, highlights the rich storytelling tradition of Assamese folk music.

Application Scenarios of Assamese Folk Music

  • Assamese folk music is frequently used in movie soundtracks to evoke a sense of regional authenticity and cultural depth. Films like 'Chameli Memsaab' and 'Kanchanjangha' have incorporated Assamese folk songs to enhance their storytelling and emotional impact.

    Movie Soundtracks

  • The unique sounds of Assamese folk music are often employed in advertising to create a distinctive and memorable brand identity. The use of traditional instruments and melodies can help brands connect with local audiences and evoke a sense of nostalgia and cultural pride.

    Advertising Music

  • Assamese folk music can provide an immersive background score for video games set in rural or historical settings. The traditional tunes and instruments can enhance the gaming experience by adding an authentic regional flavor and emotional depth to the gameplay.

    Game Background Music