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āĻŦāĻžāĻ‚āϞāĻžāϰ āύ⧂āϰ

āĻŦāĻžāĻ‚āϞāĻžāϰ āύ⧂āϰ āĻ—ā§āϰāĻžāĻŽāĻŦāĻžāĻ‚āϞāĻžāϰ āĻĒā§āϰāĻžāĻŖ, āĻŽāĻžāύ⧁āώ⧇āϰ āϐāĻ•ā§āϝ, āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ⧇āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž āĻāĻŦāĻ‚ āĻ—āĻŖāϜāĻžāĻ—āϰāϪ⧇āϰ āφāĻšā§āĻŦāĻžāύāϕ⧇ āωāĻĻā§āĻĻā§€āĻĒā§āϤ āϞ⧋āĻ•āϏ⧁āϰ⧇ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇āĨ¤ āĻĻā§‹āϤāĻžāϰāĻž, āĻĸā§‹āϞ, āφāϧ⧁āύāĻŋāĻ• āύ⧃āĻ¤ā§āϝāĻŦāĻŋāϟ āĻ“ āĻ•āϞ-āĻ…ā§āϝāĻžāĻ¨ā§āĻĄ-āϰ⧇āϏāĻĒāĻ¨ā§āϏ āϕ⧋āϰāĻžāϏ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ, āφāĻŦ⧇āĻ—āϘāύ āĻāĻŦāĻ‚ āϜāύāϏāĻŽā§āĻĒ⧃āĻ•ā§āϤ āĻ•āϰ⧇ āϤ⧁āϞ⧇āϛ⧇āĨ¤

11 hours ago

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āĻ­ā§‹āĻŸā§‡āϰ āĻĻāĻŋāύ⧇ āϜāĻžāϗ⧁āĻ• āφāĻļāĻž

āĻāχ āĻ—āĻžāύāϟāĻŋ āĻ­ā§‹āĻŸā§‡āϰ āĻĻāĻŋāύāϕ⧇ āϘāĻŋāϰ⧇ āφāĻļāĻž, āϐāĻ•ā§āϝ, āĻ¨ā§āϝāĻžāϝāĻŧ āĻ“ āύāĻžāĻ—āϰāĻŋāĻ• āĻ…āϧāĻŋāĻ•āĻžāϰāϕ⧇ āωāĻĻāϝāĻžāĻĒāύ āĻ•āϰ⧇āĨ¤ āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻŦāĻžāĻ‚āϞāĻžāϰ āϚāĻŋāĻ¤ā§āϰ, āĻŽāĻžāϝāĻŧ⧇āϰ āĻ¸ā§āĻŦāĻĒā§āύ, āĻļāĻŋāĻ•ā§āώāĻžāϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āĻāĻŦāĻ‚ āĻŽāĻžāύ⧁āώ⧇āϰ āϏāĻŽā§āĻŽāĻŋāϞāĻŋāϤ āĻļāĻ•ā§āϤāĻŋ āĻĻā§‹āϤāĻžāϰāĻž, āĻĸā§‹āϞ, āĻšāĻžāϤāϤāĻžāϞāĻŋ āĻ“ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻĻāϞ⧀āϝāĻŧ āĻ•āĻŖā§āϠ⧇ āĻāĻ• āφāĻļāĻžāĻŦāĻžāĻĻā§€ āφāĻ—āĻžāĻŽā§€āĻ•āĻžāϞ⧇āϰ āφāĻšā§āĻŦāĻžāύ⧇ āϰ⧂āĻĒ āύāĻŋāϝāĻŧ⧇āϛ⧇āĨ¤

11 hours ago

3
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āϰ⧇āϜāĻžāωāϞ āĻ­āĻžāχ, āφāĻĒāύ āĻ­āĻžāχ

āĻ—āĻžāύāϟāĻŋ āϰ⧇āϜāĻžāωāϞ āĻ­āĻžāχāϝāĻŧ⧇āϰ āĻĒāĻ•ā§āώ⧇ āĻ­ā§‹āϟ āĻ“ āϏāĻŽāĻ°ā§āĻĨāύ⧇āϰ āφāĻšā§āĻŦāĻžāύ āϜāĻžāύāĻžāϝāĻŧāĨ¤ āύāĻžāϰ⧀ āĻ•āĻŖā§āϠ⧇āϰ āϏ⧂āϚāύāĻž, āĻĸā§‹āϞ⧇āϰ āϤāĻžāϞ⧇ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻĒāϰāĻŋāĻŦ⧇āĻļāύāĻž āĻāĻŦāĻ‚ āĻœā§‹āϰāĻžāϞ⧋ āϏāĻŽā§āĻŽāĻŋāϞāĻŋāϤ āϕ⧋āϰāĻžāϏ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāϞāĻžāĻ•āĻžāĻŦāĻžāϏ⧀āϰ āϐāĻ•ā§āϝ, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻ“ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ⧀ āωāĻĻā§āĻĻā§€āĻĒāύāĻž āϤ⧁āϞ⧇ āϧāϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤

11 hours ago

4
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amader palash

āĻĻā§āϰ⧁āϤ⧧⧍ā§Ļ BPM āϤāĻžāϞ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāχ āĻ‰ā§ŽāϏāĻŦāĻŽā§āĻ–āϰ āϞ⧋āĻ•āĻĢāĻŋāωāĻļāύ āĻ—āĻžāύāϟāĻŋ āĻĸā§‹āϞāϕ⧇āϰ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āĻ›āĻ¨ā§āĻĻ, āĻāϞāĻŽāϞ⧇ āĻĻā§‹āϤāĻžāϰāĻž, āĻŦāĻžāρāĻļāĻŋāϰ āϏ⧁āϰ āĻāĻŦāĻ‚ āφāϧ⧁āύāĻŋāĻ• āĻĒāĻžāϰāĻ•āĻžāĻļāύ⧇ āĻ­āϰ āĻ•āϰ⧇āĨ¤ āĻāϰ āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋāĻŽā§Ÿ āĻ•āĻŖā§āĻ āĻšā§āĻ• āύāĻžāϚ, āĻŽāĻŋāϞāύ āĻ“ āĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻŽā§‡āϞāĻžāϰ āφāύāĻ¨ā§āĻĻāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇āĨ¤

1 days ago

5
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āϰāϙ⧇āϰ āϏāĻžāĻĨ⧇ āϏ⧁āϰ⧇āϰ āĻŽāĻŋāϤāĻžāϞ⧀

āϚāĻŋāĻ¤ā§āϰāĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ“ āĻŦāĻžāρāĻļāĻŋāĻŦāĻžāĻĻāϕ⧇āϰ āĻĒā§āϰāϤ⧀āϕ⧀ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āĻŽāĻ§ā§āϝ āĻĻāĻŋāϝāĻŧ⧇ āĻ—āĻžāύāϟāĻŋ āϰāĻ™ āĻ“ āϏ⧁āϰ⧇āϰ āĻŽāĻŋāϞāύ, āύ⧀āϰāĻŦ āĻĒā§āϰ⧇āĻŽ, āĻŦāĻŋāϰāĻš āĻāĻŦāĻ‚ āĻĒāϰāĻ¸ā§āĻĒāϰāϕ⧇ āĻ…āύ⧁āĻ­āĻŦ āĻ•āϰāĻžāϰ āĻ—āĻ­ā§€āϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻļāĻšā§āϰ⧇ āĻĒā§āϰ⧇āĻ•ā§āώāĻžāĻĒāĻŸā§‡ āĻāϟāĻŋ āĻĻ⧁āχ āĻļāĻŋāĻ˛ā§āĻĒāĻŽāĻžāĻ§ā§āϝāĻŽā§‡āϰ āϕ⧋āĻŽāϞ āĻ“ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āϝ⧁āĻ—āϞāĻŦāĻ¨ā§āĻĻā§€āĨ¤

1 days ago

6
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āĻĒ⧁āϟāĻ•āĻŋ āĻŽāĻžāϰ⧇

āϰāĻžāĻ¨ā§āύāĻžāϘāϰ⧇āϰ āĻĻ⧈āύāĻ¨ā§āĻĻāĻŋāύ āĻļāĻŦā§āĻĻāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻ—āĻžāύāϟāĻŋ āĻāĻ•āϤāϰāĻĢāĻž āφāĻ•āĻ°ā§āώāĻŖ, āĻĻ⧁āĻˇā§āϟ⧁āĻŽāĻŋ āĻ“ āύāĻž-āĻŦāϞāĻž āĻ•āĻĨāĻžāϰ āύāĻžāϟāĻ•ā§€ā§Ÿ āĻĒā§āϰāĻ•āĻžāĻļ āϘāϟāĻžā§ŸāĨ¤ āϞ⧋āĻ•-āĻĢāĻžāĻ™ā§āĻ• āĻ›āĻ¨ā§āĻĻ, āĻĻā§āϰ⧁āϤ āϞ⧋āĻ•-āĻ°â€ā§āϝāĻžāĻĒ, āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύāĻļā§€āϞ āϕ⧋āϰāĻžāϏ āĻāĻŦāĻ‚ āϰāĻžāĻ¨ā§āύāĻžāϰ āωāĻĒāĻŽāĻž āĻŽāĻŋāϞāĻŋā§Ÿā§‡ āĻāϟāĻŋ āĻšāĻžāĻ¸ā§āϝāϰāϏ, āĻ•āĻžāĻŽāύāĻž, āϏāĻ‚āϕ⧋āϚ āĻ“ āϏ⧀āĻŽāĻžāϰ⧇āĻ–āĻžāϰ āĻāĻ• āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āϏāĻ‚āĻ—ā§€āϤāϚāĻŋāĻ¤ā§āϰāĨ¤

1 days ago

7
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āύāĻĻā§€āϰ āϘāĻžāĻŸā§‡ āĻāĻ•āĻž

āύāĻĻā§€āϰ āϘāĻžāĻŸā§‡ āĻ…āĻĒ⧇āĻ•ā§āώāĻžāϰāϤ āĻāĻ• āĻŦāĻŋāϰāĻšā§€ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ•āĻŖā§āϠ⧇ āĻšāĻžāϰāĻŋāϝāĻŧ⧇ āϝāĻžāĻ“āϝāĻŧāĻž āĻĒā§āϰāĻŋāϝāĻŧāϜāύāϕ⧇ āĻĢāĻŋāϰ⧇ āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āφāϕ⧁āϤāĻŋ āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇āĨ¤ āύāĻĻā§€, āĻĸ⧇āω, āϕ⧁āϝāĻŧāĻžāĻļāĻž āĻ“ āĻ­āĻžāĻ™āĻž āϏāĻŋāρāĻĄāĻŧāĻŋ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻ“ āύāĻŋāσāϏāĻ™ā§āĻ—āϤāĻžāϰ āĻĒā§āϰāϤ⧀āĻ• āĻšāϝāĻŧ⧇ āĻ“āϠ⧇āĨ¤ āĻĻā§‹āϤāĻžāϰāĻžāϰ āϟāĻžāύ, āύāϰāĻŽ āĻĸā§‹āϞāĻ• āĻ“ āĻŦāĻžāρāĻļāĻŋāϰ āϏ⧁āϰ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻ—āĻ­ā§€āϰ āφāĻŦ⧇āĻ—āĻŽāϝāĻŧ āϞ⧋āĻ•āĻ—ā§€āϤāĻŋāϤ⧇ āϰ⧂āĻĒ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇āĨ¤

1 days ago

8
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01. Silo Dukhher Din

āĻ—āĻžāύāϟāĻŋ āĻ•ā§āϝāĻžāĻŽā§āĻĒāĻžāϏāĻœā§€āĻŦāύ⧇āϰ āĻĻāĻžāϰāĻŋāĻĻā§āĻ°ā§āϝ, āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦ, āύāĻŋāĻ°ā§āĻ­āĻžāϰ āĻĻāĻŋāύ āĻāĻŦāĻ‚ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϕ⧇ āĻŽāĻ§ā§āϝāĻŦāϝāĻŧāϏ⧇āϰ āĻāĻ•āĻžāĻ•āĻŋāĻ¤ā§āĻŦ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻ•āĻžāĻŽāĻžāϞāϕ⧇ āϖ⧁āρāĻœā§‡ āĻĢ⧇āϰāĻžāϰ āφāϕ⧁āϞāϤāĻž, āϏāĻ‚āϏāĻžāϰ⧇āϰ āĻŦā§‹āĻāĻž āĻ“ āĻšāĻžāϰāĻžāύ⧋ āϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻžāĻ¨ā§āύāĻž āĻāϰ āĻŽā§‚āϞ āφāĻŦ⧇āĻ—āĨ¤

1 days ago

9
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04. Bhuli Nai Ami Bhuli Nai

āĻ—āĻžāύāϟāĻŋ āĻāĻ• āφāĻšāϤ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĻā§€āĻ°ā§āϘāĻ¸ā§āĻĨāĻžā§Ÿā§€ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āĻŦāĻŋāĻšā§āϛ⧇āĻĻ āĻ“ āĻĒā§āϰāϤāĻžāϰāĻŖāĻžāϰ āĻŦāĻŋāϰ⧁āĻĻā§āϧ⧇ āϜāĻŽā§‡ āĻĨāĻžāĻ•āĻž āĻ•ā§āώ⧋āϭ⧇āϰ āĻ•āĻĨāĻž āĻŦāϞ⧇āĨ¤ āĻ…āϤ⧀āϤāϕ⧇ āĻĒ⧇āĻ›āύ⧇ āĻĢ⧇āϞ⧇ āύāϤ⧁āύ āĻœā§€āĻŦāύ āĻ—ā§œāϞ⧇āĻ“ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĻ⧇āĻ“ā§ŸāĻž āĻ•āĻˇā§āϟ āĻ­ā§‹āϞāĻž āϝāĻžā§Ÿ āύāĻžāĨ¤ āϞ⧋āĻ•āϏ⧁āϰ, āϧ⧀āϰ āĻ—āϤāĻŋ āĻ“ āĻ—āĻ­ā§€āϰ āĻ•āĻŖā§āϠ⧇ āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ—āϤ āĻŦ⧇āĻĻāύāĻž āϏāĻžāĻ°ā§āĻŦāϜāύ⧀āύ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϤ⧇ āϰ⧂āĻĒ āĻ¨ā§‡ā§ŸāĨ¤

1 days ago

10
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03. Bhuli Nai Ami Bhuli Nai

āĻ—āĻžāύāϟāĻŋ āĻāĻ• āφāĻšāϤ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āĻŦāĻŋāĻšā§āϛ⧇āĻĻ āĻ“ āĻĻā§€āĻ°ā§āϘ āύ⧀āϰāĻŦ āĻ•āĻˇā§āĻŸā§‡āϰ āĻ¸ā§āĻŦā§€āĻ•āĻžāϰ⧋āĻ•ā§āϤāĻŋāĨ¤ āĻ…āϤ⧀āϤ āϭ⧁āϞ⧇ āύāϤ⧁āύ āĻœā§€āĻŦāύ āĻ—ā§œāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰ⧇āĻ“ āϏ⧇ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āύāĻŋāĻˇā§āϠ⧁āϰāϤāĻž āϭ⧁āϞāϤ⧇ āĻĒāĻžāϰ⧇ āύāĻžāĨ¤ āϞ⧋āĻ•āϜ āϏ⧁āϰ, āĻ—āĻ­ā§€āϰ āĻ•āĻŖā§āĻ  āĻ“ āϧ⧀āϰ āĻ›āĻ¨ā§āĻĻ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻŦāĻŋāώāĻžāĻĻāĻŽā§Ÿ, āϤ⧀āĻŦā§āϰ āĻāĻŦāĻ‚ āύāĻžāϟāĻ•ā§€ā§Ÿ āĻ•āϰ⧇ āϤ⧁āϞ⧇āϛ⧇āĨ¤

1 days ago

11
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02. Bhuli Nai Ami Bhuli Nai

āĻ—āĻžāύāϟāĻŋ āĻāĻ• āĻ­āĻžāĻ™āĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āĻĒāϰāĻ“ āύāĻž-āĻŽā§‹āĻ›āĻž āĻ•āĻˇā§āϟ, āĻ…āĻĒāĻŽāĻžāύ āĻ“ āφāϘāĻžāϤ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻŦāĻšāύ āĻ•āϰāĻž āĻāĻ• āĻŽāĻžāύ⧁āώ⧇āϰ āφāĻ¤ā§āĻŽāĻ•āĻĨāύāĨ¤ āĻĻā§‚āϰ⧇ āϏāϰ⧇ āύāϤ⧁āύ āĻœā§€āĻŦāύ āĻ—ā§œāϞ⧇āĻ“ āĻ…āϤ⧀āϤ⧇āϰ āĻ•ā§āώāϤ āĻ°ā§Ÿā§‡ āϝāĻžā§ŸāĨ¤ āϞ⧋āĻ•āϜ āϏ⧁āϰ, āĻ—āĻ­ā§€āϰ āĻ•āĻŖā§āĻ  āĻ“ āϧ⧀āϰ āĻ›āĻ¨ā§āĻĻ⧇ āĻŦ⧇āĻĻāύāĻž, āĻ…āĻ­āĻŋāĻŽāĻžāύ āĻ“ āĻ¨ā§āϝāĻžā§ŸāĻŦāĻŋāϚāĻžāϰ⧇āϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āĻĒā§āϰāĻ•āĻžāĻļ āĻĒā§‡ā§Ÿā§‡āϛ⧇āĨ¤

1 days ago

12
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01. Bhuli Nai Ami Bhuli Nai

āĻ—āĻžāύāϟāĻŋ āĻ…āϤ⧀āϤ⧇āϰ āύāĻŋāĻ°ā§āĻŽāĻŽ āφāϘāĻžāϤ āϭ⧁āϞāϤ⧇ āύāĻž āĻĒāĻžāϰāĻž āĻāĻ• āĻŽāĻžāύ⧁āώ⧇āϰ āφāĻ¤ā§āĻŽāĻ•āĻĨāύāĨ¤ āĻĻā§‚āϰ⧇ āϏāϰ⧇ āύāϤ⧁āύ āĻœā§€āĻŦāύ āĻ—ā§œāϞ⧇āĻ“ āĻĒ⧁āϰāύ⧋ āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž, āĻ…āĻĒāĻŽāĻžāύ āĻ“ āĻ…āĻ­āĻŋāĻŽāĻžāύ āϤāĻžāϕ⧇ āϤāĻžā§œāĻŋā§Ÿā§‡ āĻŦā§‡ā§œāĻžā§ŸāĨ¤ āϞ⧋āĻ•āϜ āϏ⧁āϰ, āĻŦāĻžāρāĻļāĻŋāϰ āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ āĻāĻŦāĻ‚ āϏāĻŽāĻŦ⧇āϤ āĻ•āĻŖā§āĻ  āϤāĻžāϰ āĻ•ā§āώāϤ, āĻ•ā§āϰ⧋āϧ āĻ“ āĻ…āϏāĻŽāĻžāĻĒā§āϤ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϕ⧇ āĻ—āĻ­ā§€āϰ āĻ•āϰ⧇ āϤ⧋āϞ⧇āĨ¤

1 days ago

13
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āϘ⧁āĻŽāĻžāĻ“ āϏ⧋āύāĻž

āϘ⧁āĻŽāĻžāĻ“ āϏ⧋āύāĻž āĻāĻ•āϟāĻŋ āϕ⧋āĻŽāϞ āĻŦāĻžāĻ‚āϞāĻž āϞ⧋āϰāĻŋ, āϝ⧇āĻ–āĻžāύ⧇ āϰāĻžāϤ⧇āϰ āύ⧀āϰāĻŦāϤāĻž, āϚāĻžāρāĻĻ⧇āϰ āĻĒāĻžāĻšāĻžāϰāĻž, āĻŽāĻžā§Ÿā§‡āϰ āĻĻā§‹ā§ŸāĻž āĻāĻŦāĻ‚ āϰāĻŦ⧇āϰ āĻĒā§āϰāϤāĻŋ āφāĻ¸ā§āĻĨāĻž āĻļāĻŋāĻļ⧁āϰ āĻŽāύ⧇ āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž āĻ“ āĻļāĻžāĻ¨ā§āϤāĻŋ āϜāĻžāĻ—āĻžā§ŸāĨ¤ āϧ⧀āϰ āĻĻā§‹āϞāĻžā§ŸāĻŽāĻžāύ āϏ⧁āϰ, āύāϰāĻŽ āĻ…āĻŦāϤāϰāĻŖ āĻāĻŦāĻ‚ āĻ¸ā§āύāĻŋāĻ—ā§āϧ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ āĻ—āĻžāύāϟāĻŋāϕ⧇ āϘ⧁āĻŽāĻĒāĻžā§œāĻžāύāĻŋ āφāĻŦ⧇āĻļ⧇ āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϰ⧇āϛ⧇āĨ¤

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āĻ“ āĻŽāĻŋāĻ°ā§āϜāĻžāĻĒ⧁āϰ

āĻ“ āĻŽāĻŋāĻ°ā§āϜāĻžāĻĒ⧁āϰ āĻ—āĻžāύāϟāĻŋ āϜāĻ¨ā§āĻŽāĻ­ā§‚āĻŽāĻŋāϰ āĻĒā§āϰāϤāĻŋ āĻ—āĻ­ā§€āϰ āϟāĻžāύ, āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻœā§€āĻŦāύ⧇āϰ āϏāϰāϞ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻāĻŦāĻ‚ āĻļ⧈āĻļāĻŦ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϕ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āϧāĻžāύ⧇āϰ āĻ—āĻ¨ā§āϧ, āύāĻĻā§€āϰ āĻŦāĻžāϤāĻžāϏ, āĻšāĻžāĻŸā§‡āϰ āϕ⧋āϞāĻžāĻšāϞ, āĻŽāĻžāϝāĻŧ⧇āϰ āĻĄāĻžāĻ• āĻ“ āĻāĻ• āĻŽā§āĻ ā§‹ āĻŽāĻžāϟāĻŋāϰ āĻĒā§āϰāϤ⧀āϕ⧇ āĻĻā§‚āϰ⧇ āĻĨāĻžāĻ•āĻž āĻŽāĻžāύ⧁āώ⧇āϰ āϘāϰ⧇ āĻĢ⧇āϰāĻžāϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āĻĒā§āϰāĻ•āĻžāĻļ āĻĒ⧇āϝāĻŧ⧇āϛ⧇āĨ¤

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15
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āĻ“ āĻĒā§āϰāĻžāĻŖ āϰāĻžāĻœā§‡āĻ•āĻžāϰ⧇

āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ•āĻžāϛ⧇ āĻĒā§āϰ⧇āĻŽ āĻļāĻŋāϖ⧇āĻ“ āϤāĻžāϰ āϭ⧁āϞ⧇ āϝāĻžāĻ“ā§ŸāĻžāϰ āφāϘāĻžāϤ⧇ āĻāĻ• āĻĒā§āϰ⧇āĻŽāĻŋāϕ⧇āϰ āφāĻ°ā§āϤāĻŋ āĻĢ⧁āĻŸā§‡ āĻ“āϠ⧇āĨ¤ āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤ āφāĻšā§āĻŦāĻžāύ, āĻŦāĻŋāώāĻŖā§āύ āĻ•āĻŖā§āĻ  āĻāĻŦāĻ‚ āĻŦāĻžāωāϞāĻ˜ā§‡āρāώāĻž āϏ⧁āϰ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ, āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻ“ āĻ…āĻĒā§‚āĻ°ā§āĻŖ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āύāĻŋāĻŦāĻŋ⧜ āĻĒā§āϰāĻ•āĻžāĻļ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻ•āϰ⧇āϛ⧇āĨ¤

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16
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ayannn song bangla

āĻ†ā§ŸāĻžāύāϕ⧇ āϘāĻŋāϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāχ āφāύāĻ¨ā§āĻĻāĻŽā§Ÿ āĻŦāĻžāĻ‚āϞāĻž āĻļāĻŋāĻļ⧁āϤ⧋āώ āĻ—āĻžāύāϟāĻŋ āĻ›ā§œāĻž, āϖ⧇āϞāĻž, āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ, āĻŦ⧃āĻˇā§āϟāĻŋ, āύāĻžāϚ āĻāĻŦāĻ‚ āĻĒ⧜āĻžāĻļā§‹āύāĻžāϰ āϏāĻšāϜ āφāύāĻ¨ā§āĻĻāϕ⧇ āĻāĻ•āĻ¤ā§āϰ āĻ•āϰ⧇āĨ¤ āĻĻāϞāĻŦāĻĻā§āϧ āĻ•āĻŖā§āĻ , āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤ āϕ⧋āϰāĻžāϏ āĻ“ āĻĒā§āϰāĻļā§āύ⧋āĻ¤ā§āϤāϰ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāϟāĻŋ āĻļāĻŋāĻļ⧁āĻĻ⧇āϰ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāϪ⧇ āĻ‰ā§ŽāϏāĻžāĻš āĻĻā§‡ā§ŸāĨ¤

2 days ago

17
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āϤ⧋āϰ āĻ•āĻĨāĻž

āĻāχ āĻ—āĻžāύāϟāĻŋ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻĒāϰ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϤ⧇ āĻĄā§āĻŦ⧇ āĻĨāĻžāĻ•āĻž āĻāĻ• āĻšā§ƒāĻĻā§Ÿā§‡āϰ āĻ•āĻĨāĻž āĻŦāϞ⧇āĨ¤ āύ⧀āϰāĻŦ āϰāĻžāϤ, āĻĒ⧁āϰ⧋āύ⧋ āĻĒāĻĨ āĻ“ āϜāĻŽā§‡ āĻĨāĻžāĻ•āĻž āĻŦā§āϝāĻĨāĻžāϰ āϭ⧇āϤāϰ āĻĻāĻŋā§Ÿā§‡ āĻĢāĻŋāϰ⧇ āφāϏāĻžāϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āĻĢ⧁āĻŸā§‡ āĻ“āϠ⧇āĨ¤

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āĻ¸ā§āĻŦāĻžāĻ°ā§āĻĨ⧇āϰ āĻĻ⧁āύāĻŋāϝāĻŧāĻž

āĻāχ āĻ—āĻžāύāϟāĻŋ āϟāĻžāĻ•āĻžāϰ āĻ•āĻžāϛ⧇ āĻŽāĻžāύāĻŦāĻŋāĻ• āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇āϰ āĻ…āĻŦāĻŽā§‚āĻ˛ā§āϝāĻžāϝāĻŧāύ āĻāĻŦāĻ‚ āĻ¸ā§āĻŦāĻžāĻ°ā§āĻĨāĻĒāϰ āϏāĻŽāĻžāĻœā§‡ āϏāĻ¤ā§āϝāĻŋāĻ•āĻžāϰ⧇āϰ āφāĻĒāύāϜāύ āύāĻž āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āĻŦ⧇āĻĻāύāĻž āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻ•āĻŖā§āĻ , āĻĻā§‹āϤāĻžāϰāĻž āĻ“ āĻ—āĻŋāϟāĻžāϰ⧇āϰ āϏ⧁āϰ⧇ āĻ…āĻ­āĻŋāϝ⧋āĻ—āϟāĻŋ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āϏāĻŽā§āĻŽāĻŋāϞāĻŋāϤ āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ⧇ āϰ⧂āĻĒ āύ⧇āϝāĻŧāĨ¤

2 days ago

19
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āĻŽāĻžāύāĻŋāĻ• āĻ­āĻžāχāϝāĻŧāĻž, āϤāĻžāύāĻŋāϝāĻŧāĻž āφāĻĒ⧁

āĻ—āĻžāύāϟāĻŋ āĻŽāĻžāύāĻŋāĻ• āĻ­āĻžāχāϝāĻŧāĻž āĻ“ āϤāĻžāύāĻŋāϝāĻŧāĻž āφāĻĒ⧁āϰ āĻ¸ā§āύ⧇āĻšāĻŽāϝāĻŧ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāĻ• āφāύāĻ¨ā§āĻĻāϘāύ āĻļā§āϰāĻĻā§āϧāĻžāĻ°ā§āĻ˜ā§āϝāĨ¤ āϛ⧋āϟ āϛ⧋āϟ āϝāĻ¤ā§āύ, āĻšāĻžāϏāĻŋ, āĻĒāĻžāϰāĻŋāĻŦāĻžāϰāĻŋāĻ• āĻŦāĻ¨ā§āϧāύ āĻāĻŦāĻ‚ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻĨāĻžāĻ•āĻžāϰ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇ āĻāϟāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž, āφāĻĒāύāϜāύ āĻ“ āϏ⧁āĻ–ā§€ āϏāĻšāϝāĻžāĻ¤ā§āϰāĻžāϰ āωāĻœā§āĻœā§āĻŦāϞ āωāĻĻāϝāĻžāĻĒāύāĨ¤

3 days ago

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M

āĻŽ āĻ—āĻžāύāϟāĻŋ āĻœā§€āĻŦāĻŋāϤ āĻ…āĻŦāĻ¸ā§āĻĨāĻžā§Ÿ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻ“ āĻĒāĻžāĻļ⧇ āĻĨāĻžāĻ•āĻžāϰ āφāϕ⧁āϤāĻŋ āϜāĻžāύāĻžā§ŸāĨ¤ āĻĒā§āϰāĻŋ⧟āϜāύ⧇āϰ āĻ…āĻŦāĻšā§‡āϞāĻž, āĻāĻ•āĻžāĻ•āĻŋāĻ¤ā§āĻŦ, āĻ…āĻĒā§‚āĻ°ā§āĻŖ āĻ…āĻ­āĻŋāĻŽāĻžāύ āĻāĻŦāĻ‚ āĻŽā§ƒāĻ¤ā§āϝ⧁āϰ āĻĒāϰ⧇āϰ āĻŽāĻŋāĻĨā§āϝāĻž āĻļā§‹āϕ⧇āϰ āĻŦāĻŋāϰ⧁āĻĻā§āϧ⧇ āĻāϤ⧇ āϤ⧀āĻŦā§āϰ āφāĻ•ā§āώ⧇āĻĒ āφāϛ⧇āĨ¤ āĻŦāĻžāωāϞ āĻ­āĻžāĻŦāϧāĻžāϰāĻžāϰ āϏāϰāϞ āĻ­āĻžāώāĻžā§Ÿ āĻ—āĻžāύāϟāĻŋ āĻ¸ā§āĻŽāϰāĻŖ āĻ•āϰāĻŋā§Ÿā§‡ āĻĻā§‡ā§Ÿ, āĻŽāĻžāύ⧁āώ āĻšāĻžāϰāĻŋā§Ÿā§‡ āϝāĻžāĻ“ā§ŸāĻžāϰ āφāϗ⧇ āϤāĻžāϕ⧇ āφāĻĒāύ āĻ•āϰ⧇ āύāĻŋāϤ⧇ āĻšā§ŸāĨ¤

3 days ago

Introduction to Dotara

The Dotara is a traditional string instrument, primarily found in the folk music of Eastern India, Bangladesh, and parts of Nepal. This instrument, resembling a lute, features two to four strings and is played with a plectrum or fingers. The Dotara's history dates back to ancient times, with its origins rooted in rural Bengal. It has been an integral part of Baul, Bhawaiya, and other folk music traditions, symbolizing the cultural heritage of these regions. Over time, the Dotara has evolved, incorporating various regional styles and playing techniques.

Sub-tags and Classifications of Dotara

  • Baul Dotara

    The Baul Dotara is used predominantly in Baul music, a unique folk tradition from Bengal. This variant of the Dotara is often characterized by its soulful, rhythmic strumming and distinctive tuning, reflecting the mystical and spiritual essence of Baul songs.

  • Bhawaiya Dotara

    The Bhawaiya Dotara is integral to Bhawaiya music, a genre originating from North Bengal and Assam. This type of Dotara produces a melodious and melancholic sound, complementing the themes of longing and nature often found in Bhawaiya lyrics.

  • Modern Dotara

    The Modern Dotara has been adapted to fit contemporary musical styles, including fusion and experimental genres. It often incorporates advanced playing techniques and electronic amplification to blend traditional sounds with modern music.

Famous Artists and Works Related to Dotara

Lalon Fakir

Lalon Fakir, a revered Baul saint and musician, popularized the use of the Dotara in Baul music. His compositions, infused with spiritual and philosophical themes, showcase the expressive potential of the Dotara.

Khachar Bhitor Ochin Pakhi

This classic Baul song by Lalon Fakir uses the Dotara to evoke a sense of mysticism and introspection. The instrument's rhythmic patterns and melodic lines complement the song's philosophical lyrics, creating a profound auditory experience.

Bhupen Hazarika

Bhupen Hazarika, an iconic figure in Assamese music, utilized the Dotara in his compositions to highlight the rich cultural tapestry of Northeast India. His songs often blended traditional folk elements with contemporary themes.

Bistirno Parore

Composed by Bhupen Hazarika, this song employs the Dotara to highlight the cultural essence of the Assamese landscape. The Dotara's rich tones and melodic versatility enhance the song's emotive narrative and regional flavor.

Parvathy Baul

Parvathy Baul, a prominent Baul singer and performer, has been instrumental in keeping the tradition of Baul music alive. Her performances feature the Dotara prominently, showcasing its rhythmic and melodic capabilities.

Application Scenarios of Dotara Music

  • Dotara music can be used in movie soundtracks to evoke rural and folk themes. Its distinctive sound adds authenticity and depth to scenes set in the countryside or those depicting cultural traditions.

    Movie Soundtracks

  • In advertising, Dotara music can create a connection with regional audiences by incorporating familiar folk sounds. It can effectively convey themes of tradition, heritage, and authenticity, making products more relatable.

    Advertising Music

  • For video games set in historical or rural settings, Dotara music provides an immersive experience. Its unique tonal quality can enhance the ambiance, adding to the overall narrative and player engagement.

    Game Background Music