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An instrumental space-western saga following Sir Nathaniel Rockford and his eccentric crew through alien frontiers, escalating guitar duels, thrash-metal battles, a dark planetary breakdown, and a heroic final ride that resolves in a colossal F-minor finale.

A brutal instrumental space battle unfolds between a warrior and a demon through opposing F-minor and E-minor themes. Thrash intensity, mechanical drums, cinematic synths, a virtuosic guitar duel, and a decisive F-minor finale create a futuristic arena-metal victory narrative.

A mechanical entity attempts to quantize human emotion, heartbeat, and identity into perfect rhythm. Through shifting meters, crushing djent grooves, contrasting vocals, and a virtuosic8-string solo, the song explores control, alienation, technological obsession, and the fragile chaos of being human.

Headless Hammer is a dark, emotional jazz metal instrumental built around an80 BPM pulse. Its intense guitar work moves through fluid legato, rapid alternate picking, hybrid picking, and a fierce virtuoso outro, creating a dramatic clash between technical precision, heavy force, and expressive melancholy.

A relentless guitar-driven collision of jazz fusion and metal, Velocity Paradox races through continuous virtuoso phrasing, sweep-picked sophistication, alternate-picked brutality, pounding acoustic drums, and elastic slap bass without keyboards or rhythmic release.

A high-energy instrumental prog metal piece inspired by the Sahara, combining Middle-Eastern color with tight modern rhythm work, melodic dual-guitar interplay, driving bass, forceful drums, and two extended virtuoso solos that sustain momentum from beginning to end.

Ein vielstimmiges Live-Epos über den Augenblick, in dem Möglichkeiten zu Entscheidungen werden. Zwischen vertrauter Vergangenheit und namenloser Zukunft führen explosive Instrumentalpassagen, komplexe Rhythmen und dramatische Dialoge zu einer klaren Botschaft: Der Horizont kommt nicht näher, wir müssen weitergehen.

'I’ve Been Several People Today' is an introspective alternative metal masterpiece that embraces human inconsistency and self-evolution. Combining explosive, polyrhythmic chugs with dreamy synth plucks and raw, passionate vocals, the song celebrates fluid identity, declaring that changing one's mind is not dishonesty, but growth.

'I'VE BEEN SEVERAL PEOPLE TODAY' is a powerful exploration of personal evolution, self-acceptance, and fluid identity. Combining intense vocal performances with explosive polyrhythmic riffs and lush electronic textures, the song defiantly rejects rigid consistency, celebrating the beauty of constantly becoming someone new.

'Climax' is a dramatic instrumental fusion of progressive metal, jazz harmony, and classical orchestration. Moving through palm-muted riffs, tense piano clusters, and sweeping string runs, the track builds into a powerful chorus featuring choir doubles, brassy synths, and heavy guitars, creating a rich, cinematic sonic voyage.

'Intermate' is an explosive instrumental progressive metal fusion track. Combining swung odd-meter grooves, cinematic string quartet counterlines, walking jazz bass flashes, and heavy riff stabs, the song seamlessly blends technical complexity with fierce metal intensity, climaxing in a dramatic half-time tempo shift.

'Underling' is an intense progressive metal fusion instrumental blending odd-meter rhythms, jazz-influenced harmonies, and orchestral grandeur. Heavy syncopated guitars, sweeping cello lines, and dramatic brass create a dynamic, highly technical, and emotionally charged soundscape.

'Fused With God' is a majestic instrumental masterpiece merging modern progressive metal, jazz fusion, and classical orchestration. Featuring rhythmic djent riffs, swung cymbals, soaring choirs, and delicate acoustic bridge moments, the composition delivers an intensely dramatic and transcendent musical experience.

'I’ve Been Several People Today' is an intensely introspective track celebrating the beauty of personal evolution and dynamic identity. Combining explosive modern metalcore elements with dreamy chill-hop textures, it passionately rejects rigid consistency, declaring that change is not a flaw, but a sincere proof of still becoming.

Above Us portrays survivors confronting a collapsing world, rejecting false salvation and choosing solidarity over surrender. Its haunting verses, explosive dual-vocal chorus, industrial rap, silent breakdown, and abrupt Godspeed ending create a cinematic anthem of resistance, grief, identity, and fearless survival.

An instrumental collision of jazz complexity, rock drive, and metal force. Clean guitar teasers evolve into syncopated riffs, rapid unison passages, soaring improvisation, and a crushing final return shaped by palm-muted chugs, stop-time accents, and cinematic cymbal washes.

Ένας αυτοκαταστροφικός και υπερβολικός αντιήρωας αντιμετωπίζει χρέη, ερωτικές περιπέτειες, αϋπνία και ακαδημαϊκές αποτυχίες, ενώ παρουσιάζεται σατιρικά ως αθάνατος βασιλιάς. Η επική ενορχήστρωση, το σκοτεινό ανδρικό τραγούδι και η μυθική χορωδία μετατρέπουν το χάος σε metal ύμνο και meme.

Σατιρικός ύμνος σε έναν αντιήρωα που μετατρέπει την αποτυχία, τα ερωτικά δράματα, τη φτώχεια και την αϋπνία σε προσωπικό μύθο. Με σκοτεινή συμφωνική metal ενορχήστρωση, πολεμικέςιαχές και χορωδιακό μεγαλείο, ο Σιγανός επιμένει να επιστρέφει και να κατακτά τη Βιοχημεία.

Арент, що переписує майбутнє, вступає в бій із Ке’Зарроном, втіленням остаточного кінця. Їхня сутичка перетворюється на зіткнення свободи й неминучості, де блискавки, золоті списи та ниті долі ведуть до апокаліптичного фіналу, який ще не став остаточним.

A shape-shifting alt-metal and electronic anthem about embracing contradiction. The narrator rejects fixed identity, treating personal change as growth rather than failure, while evolving motifs, unstable harmonies, and explosive vocal dynamics mirror the restless process of becoming.