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āϧāĻžāύ⧇āϰ āĻļā§€āώ⧇ āĻ­ā§‹āϟ āĻĻāĻŋāύ

āĻ—āĻžāύāϟāĻŋ āĻĢ⧈āϞāϜāĻžāύāĻž āχāωāύāĻŋ⧟āύ āĻĒāϰāĻŋāώāĻĻ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ⧇ āφāσ āϜāĻŦā§āĻŦāĻžāϰ āĻŽāĻ¨ā§āĻĄāϞ⧇āϰ āĻĒāĻ•ā§āώ⧇ āϜāύāϏāĻŽāĻ°ā§āĻĨāύ⧇āϰ āφāĻšā§āĻŦāĻžāύ āϜāĻžāύāĻžā§ŸāĨ¤ āϏāĻšāϜ āϏ⧁āϰ, āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋāĻŽā§Ÿ āϕ⧋āϰāĻžāϏ, āĻĸā§‹āϞ-āĻšāĻžāϤāϤāĻžāϞāĻŋ āĻāĻŦāĻ‚ āĻĻāĻ˛ā§€ā§Ÿ āĻĒā§āϰāϤāĻŋāĻ§ā§āĻŦāύāĻŋāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāϟāĻŋ āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻŽāĻŋāĻ›āĻŋāϞ, āωāĻ āĻžāύāϏāĻ­āĻž āĻ“ āĻĒā§āϰāϚāĻžāϰāĻŖāĻžāϰ āωāĻšā§āĻ›ā§āĻŦāĻžāϏāĻŽā§Ÿ āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻĢ⧁āϟāĻŋā§Ÿā§‡ āϤ⧋āϞ⧇āĨ¤

9 days ago

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āĻĒāĻĨ⧇āϰ āĻĒāĻžāĻ—āϞ āφāĻŽāĻžāϰ⧇ āĻŦāĻžāύāĻžāχāϞāĻŋ

āĻĒā§āϰ⧇āĻŽāĻŋāĻ•āĻžāϰ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ āĻ­āĻ™ā§āĻ— āĻ“ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇ āĻāĻ• āĻĒā§āϰ⧇āĻŽāĻŋāĻ• āϘāϰ-āĻĒāϰāĻŋāĻŦāĻžāϰ āĻ›ā§‡ā§œā§‡ āĻŽāĻžāύāϏāĻŋāĻ•āĻ­āĻžāĻŦ⧇ āϭ⧇āϙ⧇ āĻĒā§œā§‡āĨ¤ āĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻŽāĻžāύ⧁āώ⧇āϰ āωāĻĒāĻšāĻžāϏ, āύāĻŋāϰāĻ¨ā§āϤāϰ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻāĻŦāĻ‚ āĻšāĻžāϰāĻžāύ⧋ āϏ⧁āϖ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āϤāĻžāϕ⧇ āĻĒāĻĨ⧇āϰ āĻĒāĻžāĻ—āϞ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻ•āϰ⧇āĨ¤

13 days ago

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āϕ⧇āωāϤ⧋ āύāĻž āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧇ āĻĻ⧇āĻļāϟāĻžāϰ⧇

āĻ—āĻžāύāϟāĻŋ āĻ•ā§āώāĻŽāϤāĻžāĻŦāĻžāύāĻĻ⧇āϰ āĻ¸ā§āĻŦāĻžāĻ°ā§āĻĨāĻĒāϰāϤāĻž, āĻ­āĻŖā§āĻĄ āĻĻ⧇āĻļāĻĒā§āϰ⧇āĻŽ, āĻ•āϰ⧇āϰ āϚāĻžāĻĒ, āĻŦ⧇āĻ•āĻžāϰāĻ¤ā§āĻŦ āĻ“ āĻŽāĻžāĻĻāϕ⧇āϰ āϭ⧟āĻžāĻŦāĻšāϤāĻžāϰ āĻŦāĻŋāϰ⧁āĻĻā§āϧ⧇ āĻāĻ• āϤ⧀āĻŦā§āϰ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻāĨ¤ āϞ⧋āĻ•āϰāϕ⧇āϰ āφāĻŦāĻšā§‡ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻĒā§āϰāĻļā§āύ āϤ⧋āϞ⧇āύ, āĻĻ⧇āĻļāϕ⧇ āϏāĻ¤ā§āϝāĻŋāχ āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧇ āϕ⧇, āĻāĻŦāĻ‚ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ⧇āϰ āϜāĻ¨ā§āϝ āĻŽāĻžāύ⧁āώāϕ⧇ āϜāĻžāĻ—āĻžāϰ āφāĻšā§āĻŦāĻžāύ āϜāĻžāύāĻžāύāĨ¤

15 days ago

4
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āĻŽāύ⧇āϰ āωāĻ ā§‹āύ

'āĻŽāύ⧇āϰ āωāĻ ā§‹āύ' āύāĻŋāĻ–āĻžāĻĻ āĻĒā§āϰ⧇āĻŽ, āĻĒ⧁āϰāύ⧋ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽāĻŋāĻˇā§āϟāĻŋ āĻ…āĻĒ⧇āĻ•ā§āώāĻžāϰ āĻāĻ• āϏ⧁āϰāĻŽā§Ÿ āωāĻĒāĻžāĻ–ā§āϝāĻžāύāĨ¤ āĻĻā§‹āϤāĻžāϰāĻž āĻ“ āĻ…ā§āϝāĻžāϕ⧋āĻ¸ā§āϟāĻŋāĻ• āĻ—āĻŋāϟāĻžāϰ⧇āϰ āύāϰāĻŽ āĻĻā§‹āϞāĻžā§Ÿ āĻŽā§‹ā§œāĻžāύ⧋ āĻ—āĻžāύāϟāĻŋ āĻļā§āϰ⧋āϤāĻžāϕ⧇ āύāĻŋā§Ÿā§‡ āϝāĻžā§Ÿ āĻāĻ• āĻ—āĻ­ā§€āϰ āφāĻŦ⧇āĻ—āϘāύ āĻ“ āĻ¸ā§āĻŽā§ƒāϤāĻŋāĻ•āĻžāϤāϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋāϰ āφāĻ™āĻŋāύāĻžā§ŸāĨ¤

15 days ago

5
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Durga Puja Noyan Daku

āĻāϟāĻŋ āĻĻ⧁āĻ°ā§āĻ—āĻžāĻĒā§‚āϜāĻžāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āĻ—ā§āϰāĻžāĻŽāĻŦāĻžāĻ‚āϞāĻžāϰ āĻĸā§‹āϞ, āϧāĻžāĻŽāĻžāχāϞ āĻ“ āϞ⧋āĻ•āϏ⧁āϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāĻ• āωāĻšā§āĻ›ā§āĻŦāĻžāϏāĻŽāϝāĻŧ āĻ—āĻžāύāĨ¤ āĻĻ⧇āĻŦā§€āϰ āφāĻ—āĻŽāύ, āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āϏāĻŽā§āĻĒā§āϰ⧀āϤāĻŋ, āĻĻāϰāĻŋāĻĻā§āϰ⧇āϰ āĻĒāĻžāĻļ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāύ⧋, āĻĒā§āϰāĻžāĻŖā§€āϰ āĻ…āϧāĻŋāĻ•āĻžāϰ, āĻļāĻžāĻ¨ā§āϤāĻŋ āĻ“ āĻŽāĻžāύāĻŦāϤāĻžāϰ āĻŦāĻžāĻ°ā§āϤāĻž āĻŽāĻŋāϞ⧇āϛ⧇ āĻāϰ āύ⧃āĻ¤ā§āϝāĻŽāϝāĻŧ āĻĒāϰāĻŋāĻŦ⧇āĻļāύ⧇āĨ¤

15 days ago

6
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AA

AA āĻ—āĻžāύ⧇ āϧ⧀āϰ āĻŦāĻžāρāĻļāĻŋ, āĻĻā§‹āϤāĻžāϰāĻž āĻāĻŦāĻ‚ āĻĒ⧁āϰ⧁āώ āĻ•āĻŖā§āϠ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϏāϰāĻ•āĻžāϰāĻŋ āĻ…āĻĢāĻŋāϏ⧇ āĻĢāĻžāχāϞ āφāϟāϕ⧇ āϰāĻžāĻ–āĻž āĻ“ āϘ⧁āώ⧇āϰ āĻŦā§āϝāĻ™ā§āĻ—āϚāĻŋāĻ¤ā§āϰ āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇āĨ¤ āĻ­āĻžāĻ“āϝāĻŧāĻžāχāϝāĻŧāĻž āϏ⧁āϰ⧇āϰ āφāĻžā§āϚāϞāĻŋāĻ• āφāĻŦ⧇āĻ— āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āĻ—āĻŽā§āĻ­ā§€āϰ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻ⧇ āϰ⧂āĻĒ āύāĻŋāϝāĻŧ⧇ āĻ¨ā§āϝāĻžāϝāĻŧ, āĻ¸ā§āĻŦāĻšā§āĻ›āϤāĻž āĻ“ āϜāύāĻ—āϪ⧇āϰ āϏ⧇āĻŦāĻžāϰ āĻĻāĻžāĻŦāĻŋ āĻœā§‹āϰāĻžāϞ⧋ āĻ•āϰ⧇āĨ¤

17 days ago

7
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AA

āĻ—āĻžāύāϟāĻŋ āϏāĻŽāĻžāĻœā§‡ āύāĻžāϰ⧀āĻĻ⧇āϰ āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž āĻ“ āϏāĻšāĻŋāĻ‚āϏāϤāĻžāĻŽā§āĻ•ā§āϤ āĻœā§€āĻŦāύ⧇āϰ āĻĻāĻžāĻŦāĻŋāϤ⧇ āϤ⧈āϰāĻŋ āĻāĻ• āφāĻŦ⧇āĻ—āϘāύ āϏ⧁āϰ⧇āϰ āĻŦāĻžāĻ°ā§āϤāĻžāĨ¤ āĻŦāĻžāρāĻļāĻŋāϰ āĻŦāĻŋāώāĻŖā§āĻŖ āĻ§ā§āĻŦāύāĻŋ, āĻ­āĻžāĻ“āϝāĻŧāĻžāχāϝāĻŧāĻž āϟāĻžāύ āĻāĻŦāĻ‚ āĻ—āĻŽā§āĻ­ā§€āϰ āĻĒ⧁āϰ⧁āώ āĻ•āĻŖā§āϠ⧇ āĻ…āĻĒāϰāĻžāϧāĻŽā§āĻ•ā§āϤ āϏāĻŽāĻžāϜ āĻ“ āĻ¨ā§āϝāĻžāϝāĻŧāĻŦāĻŋāϚāĻžāϰ⧇āϰ āϏāĻĒāĻ•ā§āώ⧇ āĻāĻ• āĻœā§‹āϰāĻžāϞ⧋ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻ⧇āϰ āĻĒā§āϰāĻ•āĻžāĻļ āϘāĻŸā§‡āϛ⧇āĨ¤

17 days ago

8
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āϤ⧁āĻŽāĻŋ āĻ•āĻĨāĻž āĻĻāĻŋāϝāĻŧ⧇ āϗ⧇āϞ⧇

āĻ—ā§āϰāĻžāĻŽāĻŦāĻžāĻ‚āϞāĻžāϰ āφāĻŦāĻšā§‡ āĻ—āĻĄāĻŧāĻž āĻāχ āĻŦāĻŋāϰāĻšā§‡āϰ āĻ—āĻžāύ⧇ āĻāĻ•āϜāύ āĻŽāĻžāύ⧁āώ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āϚāϞ⧇ āϝāĻžāĻ“āϝāĻŧāĻž āĻĒā§āϰāĻŋāϝāĻŧāϜāύāϕ⧇ āĻ–ā§‹āρāĻœā§‡āĨ¤ āϧāĻžāύāĻ•ā§āώ⧇āϤ, āĻŦ⧃āĻˇā§āϟāĻŋāϭ⧇āϜāĻž āϘāϰ, āĻŽāĻžāϝāĻŧ⧇āϰ āύ⧀āϰāĻŦ āĻĒā§āϰāĻļā§āύ āĻ“ āĻĢāĻžāρāĻ•āĻž āωāĻ ā§‹āύ āϤāĻžāϰ āĻĻā§€āĻ°ā§āϘ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻāĻŦāĻ‚ āĻ­āĻžāĻ™āĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧇āϰ āϏāĻžāĻ•ā§āώ⧀ āĻšāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤

17 days ago

9
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Pothik Lipur Sylhety Gaan

āĻ āĻ—āĻžāύ āϏāĻŋāϞ⧇āĻŸā§‡āϰ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ, āύāĻĻā§€, āϚāĻž-āĻŦāĻžāĻ—āĻžāύ, āĻĒāĻŦāĻŋāĻ¤ā§āϰ āϐāϤāĻŋāĻšā§āϝ āĻ“ āĻĒā§āϰāĻŦāĻžāϏ⧀āĻĻ⧇āϰ āĻ¸ā§āĻŦāĻĻ⧇āĻļāĻĒā§āϰ⧇āĻŽāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāĻ• āφāĻŦ⧇āĻ—āϘāύ āϞ⧋āĻ•āϏāĻ‚āĻ—ā§€āϤāĨ¤ āĻĻā§‹āϤāĻžāϰāĻž, āĻŦāĻžāρāĻļāĻŋ āĻ“ āϏāĻŋāϞ⧇āϟāĻŋ āφāĻžā§āϚāϞāĻŋāĻ• āϏ⧁āϰ⧇ āĻŽāĻžā§Ÿā§‡āϰ āĻŽāĻžā§ŸāĻž, āϜāĻ¨ā§āĻŽāĻ­ā§‚āĻŽāĻŋāϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āϘāϰ⧇ āĻĢ⧇āϰāĻžāϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž āĻ—āĻ­ā§€āϰāĻ­āĻžāĻŦ⧇ āĻĒā§āϰāĻ•āĻžāĻļ āĻĒā§‡ā§Ÿā§‡āϛ⧇āĨ¤

21 days ago

10
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āχāϤāĻž āĻ•āĻŋāϜāĻžāϤ āĻŽāĻžāϤ āĻŽāĻžāϤāĻŋāϞāĻžā§Ÿ

āĻ—āĻžāύāϟāĻŋāϤ⧇ āĻĻ⧁āχ āĻŦāĻ¨ā§āϧ⧁āϰ āϞāĻ¨ā§āĻĄāύ āϝāĻžāĻ“ā§ŸāĻžāϰ āĻ¸ā§āĻŦāĻĒā§āύ, āφāχāĻāϞāϟāĻŋāĻāϏ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϭ⧟, āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŽāϜāĻžāϰ āĻŽā§āĻšā§‚āĻ°ā§āϤ āĻāĻŦāĻ‚ āĻŦāĻŋāĻĻ⧇āĻļ⧇ āĻ—āĻŋā§Ÿā§‡ āĻ›āĻŦāĻŋ āϤ⧋āϞāĻžāϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻž āϏāĻŋāϞ⧇āϟāĻŋ āϰāϏāĻŋāĻ•āϤāĻžā§Ÿ āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇āĨ¤ āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤāĻŋāĻŽā§Ÿ āϕ⧋āϰāĻžāϏ, āϚāĻžā§āϚāϞ āĻ›āĻ¨ā§āĻĻ āĻ“ āϞ⧋āĻ•āĻŦāĻžāĻĻā§āϝ⧇āϰ āϏāĻ™ā§āϗ⧇ āφāϧ⧁āύāĻŋāĻ• āύāĻžāĻšā§‡āϰ āĻŦāĻŋāϟ āĻ—āĻžāύāϟāĻŋāϕ⧇ āφāύāĻ¨ā§āĻĻāĻŽā§Ÿ āĻ•āϰ⧇ āϤ⧁āϞ⧇āϛ⧇āĨ¤

21 days ago

11
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āχāϤāĻž āĻ•āĻŋāϜāĻžāϤ āĻŽāĻžāϤ

āĻ—āĻžāύāϟāĻŋ āĻāĻ• āϏāĻŋāϞ⧇āϟāĻŋ āϤāϰ⧁āϪ⧇āϰ āĻšāĻžāĻ¸ā§āϝāϰāϏāĻžāĻ¤ā§āĻŽāĻ• āϞāĻ¨ā§āĻĄāύ-āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰ āĻ—āĻ˛ā§āĻĒāĨ¤ āĻŦāĻžāĻ¨ā§āϧāĻŦā§€āϰ āϏāĻ™ā§āϗ⧇ āφāχāĻāϞāϟāĻŋāĻāϏ āĻĻāĻŋā§Ÿā§‡ āĻŦāĻŋāĻĻ⧇āĻļ āϝāĻžāĻ“ā§ŸāĻžāϰ āĻ•āĻ˛ā§āĻĒāύāĻž, āχāĻ‚āϰ⧇āϜāĻŋ āĻŦāϞāĻžāϰ āϭ⧟, āĻ–āϰāĻšā§‡āϰ āϚāĻŋāĻ¨ā§āϤāĻž, āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ›āĻŦāĻŋ āĻ“ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āĻ•ā§āϝāĻžāĻĒāĻļāύ⧇āϰ āĻŽāϜāĻžāϰ āĻŦāĻ°ā§āĻŖāύāĻžā§Ÿ āĻ—āĻžāύāϟāĻŋ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ, āϏāĻšāϜāĻŦā§‹āĻ§ā§āϝ āĻāĻŦāĻ‚ āφāĻžā§āϚāϞāĻŋāĻ• āφāĻŦ⧇āϗ⧇ āĻ­āϰāĻĒ⧁āϰāĨ¤

22 days ago

12
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Ita Kijat maat

āχāϤāĻž āĻ•āĻŋāϜāĻžāϤ āĻŽāĻžāϤ āĻāĻ•āĻ–āĻžāύ āϤ⧇āϜāĻŋ āϏāĻŋāϞ⧇āϟāĻŋ āϞ⧋āĻ•āĻŦā§āϝāĻ™ā§āĻ—āĻ—āĻžāύ, āϝ⧇āχāĻ–āĻžāύ⧇ āϜāύāĻ—āϪ⧇āϰ āĻĒ⧇āĻŸā§‡āϰ āĻœā§āĻŦāĻžāϞāĻž, āĻ…āϧāĻŋāĻ•āĻžāϰ āφāϰ āĻšāĻŋāϏāĻžāĻŦ āϚāĻžāĻ“ā§ŸāĻžāϰ āĻ•āĻĨāĻž āĻšāĻžāĻ¸ā§āϝāϰāϏ āφāϰ āϤ⧀āĻŦā§āϰ āĻŦāĻŋāĻĻā§āϰ⧂āĻĒ⧇ āϤ⧋āϞāĻž āĻ…āχāϛ⧇āĨ¤ āĻĒ⧁āϰ⧁āώ-āĻŽāĻšāĻŋāϞāĻž āĻĒāĻžāĻ˛ā§āϟāĻžāĻĒāĻžāĻ˛ā§āϟāĻŋ āĻ•āĻŖā§āĻ , āĻĻāĻ˛ā§€ā§Ÿ āϏāĻžā§œāĻž āφāϰ āĻœā§‹āϰāĻžāϞ⧋ āĻĸā§‹āϞ⧇āϰ āϤāĻžāϞ⧇ āĻ—āĻžāύāĻĄāĻž āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻā§€ āĻ—āĻŖāĻŽāĻžā§āĻšā§‡āϰ āφāĻŦāĻš āĻŦāĻžāύāĻžā§ŸāĨ¤

22 days ago

13
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A

āĻ—āĻžāύāϟāĻŋ āĻŦāĻžāĻŦāĻžāϰ āĻĒā§āϰāϤāĻŋ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻ—āĻ­ā§€āϰ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž, āϤāĻžāρāϰ āĻ¸ā§āύ⧇āĻšāĻŽāϝāĻŧ āφāĻļā§āϰāϝāĻŧ⧇āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āĻšāĻžāϰāĻžāύ⧋āϰ āĻ…āϏāĻšāύ⧀āϝāĻŧ āĻļā§‚āĻ¨ā§āϝāϤāĻž āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻ­āĻžāĻ“āϝāĻŧāĻžāχāϝāĻŧāĻž āĻĸāϙ⧇āϰ āϧ⧀āϰ āϏ⧁āϰ, āĻ•āϰ⧁āĻŖ āĻŦāĻžāρāĻļāĻŋ āĻ“ āĻĻā§‹āϤāĻžāϰāĻžāϰ āĻŽā§‡āϞāĻŦāĻ¨ā§āϧāύ⧇ āĻĒāĻŋāϤ⧃āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āύ⧈āϤāĻŋāĻ• āĻļāĻŋāĻ•ā§āώāĻž āĻāĻŦāĻ‚ āĻŦāĻžāĻŦāĻžāϰ āφāĻĻāĻ°ā§āĻļ āĻŦ⧁āϕ⧇ āϧāĻžāϰāĻŖ āĻ•āϰ⧇ āĻŦ⧇āρāĻšā§‡ āĻĨāĻžāĻ•āĻžāϰ āĻ…āĻ™ā§āĻ—ā§€āĻ•āĻžāϰ āĻĒā§āϰāĻ•āĻžāĻļ āĻĒ⧇āϝāĻŧ⧇āϛ⧇āĨ¤

22 days ago

14
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āφāĻŽāĻŋ āĻ•āĻžāρāĻĻāĻŋāύāĻŋ

āĻŦāĻŋāĻšā§āϛ⧇āĻĻ⧇āϰ āĻĒāϰ āύ⧀āϰāĻŦ āĻšā§Ÿā§‡ āϝāĻžāĻ“ā§ŸāĻž āĻāĻ• āύāĻžāϰ⧀āϰ āĻ…āĻ¨ā§āϤāĻ°ā§āĻĻāĻšāύ āĻāχ āĻ—āĻžāύ⧇āϰ āĻŽā§‚āϞ āĻŦāĻŋāώ⧟āĨ¤ āĻĒā§āϰāĻŋ⧟āϜāύ⧇āϰ āϚāϞ⧇ āϝāĻžāĻ“ā§ŸāĻž, āĻ­āĻ™ā§āϗ⧁āϰ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ, āĻ…āύ⧁āϤāĻžāĻĒ āĻ“ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āĻ­āĻžāϰ āϤāĻžāϕ⧇ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āϭ⧇āϙ⧇ āĻĻā§‡ā§ŸāĨ¤ āĻ•āĻžāĻ¨ā§āύāĻžāϰ āĻŦāĻĻāϞ⧇ āϤāĻžāϰ āĻ•āĻŖā§āϠ⧇ āϜāĻŽā§‡ āĻĨāĻžāϕ⧇ āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ, āϤ⧇āϤ⧋ āĻ•āĻĢāĻŋ āφāϰ āĻšāĻžāϰāĻžāύ⧋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻ…āϏāĻšāĻžā§Ÿ āĻĒā§āϰāϤāĻŋāĻ§ā§āĻŦāύāĻŋāĨ¤

22 days ago

15
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banglar sur

āĻŦāĻžāρāĻļāĻŋāϰ āϕ⧋āĻŽāϞ āĻĒā§āϰāϧāĻžāύ āϏ⧁āϰ, āĻŽā§ƒāĻĻ⧁ āϤāĻŦāϞāĻž āĻāĻŦāĻ‚ āĻĻā§‹āϤāĻžāϰāĻž-āĻāĻ•āϤāĻžāϰāĻžāϰ āϏ⧂āĻ•ā§āĻˇā§āĻŽ āĻāĻ‚āĻ•āĻžāϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻžāϰ āĻ—ā§āϰāĻžāĻŽā§€āĻŖ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻāĻ• āύāĻ¸ā§āϟāĻžāϞāϜāĻŋāĻ• āĻŦāĻžāĻĻā§āϝāϝāĻžāĻ¤ā§āϰāĻžāĨ¤ āĻŦāĻŋāώāĻŖā§āĻŖāϤāĻžāϰ āύāĻŋāĻšā§‡ āφāĻļāĻžāϰ āωāĻˇā§āĻŖāϤāĻž āĻĨāĻžāϕ⧇, āϝ⧇āύ āύāĻĻā§€āϰ āϧāĻžāϰ⧇ āĻŦāĻ°ā§āώāĻžāϰ āĻšāĻžāĻ“ā§ŸāĻž āĻ“ āϧāĻžāύāĻ•ā§āώ⧇āϤ⧇āϰ āύ⧀āϰāĻŦ āĻŦāĻŋāϕ⧇āϞāĨ¤

2026-10-01

16
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āĻŽāύ⧇āϰ āĻŽāĻžāύ⧁āώ

āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώāϕ⧇ āĻ•āĻžāϛ⧇ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϤ⧀āĻŦā§āϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻž, āϏ⧁āϰāĻŽāĻžāϰ āĻĒāĻžā§œā§‡āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āĻĻā§‚āϰāĻ¤ā§āĻŦ⧇āϰ āĻŦāĻŋāώāĻŖā§āύāϤāĻž āύāĻŋā§Ÿā§‡ āĻāχ āĻ—āĻžāύāĨ¤ āϏāĻšāϜ āϏāĻŋāϞ⧇āϟāĻŋ āĻ­āĻžāώāĻž, āύāĻĻā§€-āϏāĻ¨ā§āĻ§ā§āϝāĻžāϰ āĻĻ⧃āĻļā§āϝ āĻ“ āĻšā§ƒāĻĻ⧟āϛ⧋āρ⧟āĻž āĻĒ⧁āύāϰāĻžāĻŦ⧃āĻ¤ā§āϤ āϕ⧋āϰāĻžāϏ āĻĒā§āϰ⧇āĻŽā§‡āϰ āφāĻ¨ā§āϤāϰāĻŋāĻ• āφāĻŦ⧇āĻĻāύāϕ⧇ āĻ—āĻ­ā§€āϰ āĻ•āϰ⧇āĨ¤

2026-09-30

17
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āϕ⧁āϝāĻžāĻļāĻž āύāĻžāĻŽā§‡

āϕ⧁āϝāĻŧāĻžāĻļāĻž, āĻŦ⧃āĻˇā§āϟāĻŋ āĻ“ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āφāĻŦāĻšā§‡ āĻāĻ• āĻ…āĻĒ⧇āĻ•ā§āώāĻŽāĻžāĻŖ āĻŽāĻžāύ⧁āώ⧇āϰ āĻŦāĻŋāĻšā§āϛ⧇āĻĻāĻŦ⧇āĻĻāύāĻž āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇āĨ¤ āĻĻā§‚āϰ⧇ āĻĨāĻžāĻ•āĻž āĻĒā§āϰāĻŋāϝāĻŧāϜāύāϕ⧇ āĻĢāĻŋāϰ⧇ āφāϏāĻžāϰ āφāĻšā§āĻŦāĻžāύ āϜāĻžāύāĻŋāϝāĻŧ⧇ āĻ—āĻžāύāϟāĻŋ āĻ¸ā§āĻŽā§ƒāϤāĻŋ, āφāĻļāĻž āĻ“ āύāĻŋāσāϏāĻ™ā§āĻ—āϤāĻžāϕ⧇ āϕ⧋āĻŽāϞ āĻŦāĻžāĻ‚āϞāĻž āϞ⧋āĻ•āϏ⧁āϰ⧇ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇āĨ¤

2026-09-29

18
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āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĄāĻžāϕ⧇

'āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĄāĻžāϕ⧇' āĻ—āĻžāύāϟāĻŋ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻŽāĻžāĻā§‡ āφāρāĻ•āĻž āĻāĻ• āĻŦāĻŋāϰāĻšāĻ—āĻžāĻĨāĻžāĨ¤ āϕ⧁āϝāĻŧāĻžāĻļāĻžāĻšā§āĻ›āĻ¨ā§āύ āĻĒāĻĨ, āĻĒāĻžāχāύ āĻŦāύ āĻ“ āĻŽā§‡āϘāϞāĻž āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻĒāϟāĻ­ā§‚āĻŽāĻŋāϤ⧇ āĻĒā§āϰāĻŋāϝāĻŧāϜāύāϕ⧇ āĻšāĻžāϰāĻžāύ⧋āϰ āĻŦ⧇āĻĻāύāĻž āĻĢ⧁āĻŸā§‡ āωāϠ⧇āϛ⧇āĨ¤ āĻĻā§‹āϤāĻžāϰāĻž āĻ“ āĻŦāĻžāρāĻļāĻŋāϰ āĻ•āϰ⧁āĻŖ āϏ⧁āϰ āĻ—āĻžāύāϟāĻŋāϕ⧇ āĻ—āĻ­ā§€āϰ āφāĻŦ⧇āĻ— āĻ“ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āĻāĻ• āĻŦā§āϝāĻžāϕ⧁āϞ āĻŽā§‹āĻšāύāĻžāϝāĻŧ āύāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤

2026-09-29

19
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prem j kadia korlo shes

āĻĒā§āϰ⧇āĻŽāĻŋāϕ⧇āϰ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ, āύāĻŋāσāϏāĻ™ā§āĻ—āϤāĻž āĻ“ āφāĻ¤ā§āĻŽāĻŋāĻ• āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻžāϕ⧇ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻ•āϰ⧇ āϰāϚāĻŋāϤ āĻāχ āĻŦāĻžāωāϞ-āĻŦāĻŋāϰāĻšāĻ—āĻžāύāĨ¤ āύāĻĻā§€āϰ āϤ⧀āϰ, āĻ­āĻžāĻ™āĻž āĻĒā§āϰ⧇āĻŽ āĻ“ āĻŽā§ƒāĻ¤ā§āϝ⧁āĻšā§‡āϤāύāĻžāϰ āĻĒā§āϰāϤ⧀āϕ⧇ āĻ•āĻŖā§āϠ⧇ āĻ“āϠ⧇ āĻāĻ• āĻŽāĻžāύ⧁āώ⧇āϰ āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ, āϝ⧇ āĻ¸ā§āĻŽā§ƒāϤāĻŋ āĻ“ āφāĻļāĻžāϰ āφāϗ⧁āύ āĻŦ⧁āϕ⧇ āύāĻŋā§Ÿā§‡ āϏāĻžāϰāĻžāĻœā§€āĻŦāύ āϘ⧁āϰ⧇ āĻŦā§‡ā§œāĻžā§ŸāĨ¤

2026-09-24

20
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āĻĨāĻžāĻ°ā§āĻĄ āĻĒāĻžāĻ°ā§āϟāĻŋāϰ āĻŦ⧁āĻĻā§āϧāĻŋ

āĻ—āĻžāύāϟāĻŋ āϤ⧃āĻ¤ā§€ā§Ÿ āĻĒāĻ•ā§āώ⧇āϰ āωāϏāĻ•āĻžāύāĻŋ, āĻļāĻžāĻļ⧁⧜āĻŋāϰ āĻ…āĻšāĻ‚āĻ•āĻžāϰ āĻ“ āϭ⧁āϞ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ⧇ āϭ⧇āϙ⧇ āϝāĻžāĻ“ā§ŸāĻž āϏāĻ‚āϏāĻžāϰ⧇āϰ āĻŦā§āϝāĻ™ā§āĻ—āĻžāĻ¤ā§āĻŽāĻ• āĻ—āĻ˛ā§āĻĒ āĻŦāϞ⧇āĨ¤ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻĢā§‹āĻ•-āĻ°â€ā§āϝāĻžāĻĒ āĻ›āĻ¨ā§āĻĻ⧇ āĻāϟāĻŋ āϏāϤāĻ°ā§āĻ• āĻ•āĻ°ā§‡â€”āĻ…āĻ¨ā§āϝ⧇āϰ āĻ•āĻĨāĻžā§Ÿ āϘāϰ āĻ­āĻžāĻ™āϞ⧇ āύāĻŋāĻœā§‡āϰ āĻļāĻžāĻ¨ā§āϤāĻŋāĻ“ āύāĻˇā§āϟ āĻšā§ŸāĨ¤

2026-09-23

Introduction to Dotara

The Dotara is a traditional string instrument, primarily found in the folk music of Eastern India, Bangladesh, and parts of Nepal. This instrument, resembling a lute, features two to four strings and is played with a plectrum or fingers. The Dotara's history dates back to ancient times, with its origins rooted in rural Bengal. It has been an integral part of Baul, Bhawaiya, and other folk music traditions, symbolizing the cultural heritage of these regions. Over time, the Dotara has evolved, incorporating various regional styles and playing techniques.

Sub-tags and Classifications of Dotara

  • Baul Dotara

    The Baul Dotara is used predominantly in Baul music, a unique folk tradition from Bengal. This variant of the Dotara is often characterized by its soulful, rhythmic strumming and distinctive tuning, reflecting the mystical and spiritual essence of Baul songs.

  • Bhawaiya Dotara

    The Bhawaiya Dotara is integral to Bhawaiya music, a genre originating from North Bengal and Assam. This type of Dotara produces a melodious and melancholic sound, complementing the themes of longing and nature often found in Bhawaiya lyrics.

  • Modern Dotara

    The Modern Dotara has been adapted to fit contemporary musical styles, including fusion and experimental genres. It often incorporates advanced playing techniques and electronic amplification to blend traditional sounds with modern music.

Famous Artists and Works Related to Dotara

Lalon Fakir

Lalon Fakir, a revered Baul saint and musician, popularized the use of the Dotara in Baul music. His compositions, infused with spiritual and philosophical themes, showcase the expressive potential of the Dotara.

Khachar Bhitor Ochin Pakhi

This classic Baul song by Lalon Fakir uses the Dotara to evoke a sense of mysticism and introspection. The instrument's rhythmic patterns and melodic lines complement the song's philosophical lyrics, creating a profound auditory experience.

Bhupen Hazarika

Bhupen Hazarika, an iconic figure in Assamese music, utilized the Dotara in his compositions to highlight the rich cultural tapestry of Northeast India. His songs often blended traditional folk elements with contemporary themes.

Bistirno Parore

Composed by Bhupen Hazarika, this song employs the Dotara to highlight the cultural essence of the Assamese landscape. The Dotara's rich tones and melodic versatility enhance the song's emotive narrative and regional flavor.

Parvathy Baul

Parvathy Baul, a prominent Baul singer and performer, has been instrumental in keeping the tradition of Baul music alive. Her performances feature the Dotara prominently, showcasing its rhythmic and melodic capabilities.

Application Scenarios of Dotara Music

  • Dotara music can be used in movie soundtracks to evoke rural and folk themes. Its distinctive sound adds authenticity and depth to scenes set in the countryside or those depicting cultural traditions.

    Movie Soundtracks

  • In advertising, Dotara music can create a connection with regional audiences by incorporating familiar folk sounds. It can effectively convey themes of tradition, heritage, and authenticity, making products more relatable.

    Advertising Music

  • For video games set in historical or rural settings, Dotara music provides an immersive experience. Its unique tonal quality can enhance the ambiance, adding to the overall narrative and player engagement.

    Game Background Music