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竹影开场
作品以稀疏箫声与古琴泛音展开远景，逐步叠加鼓点、拨弦、弦乐与民族低音合奏，形成洒脱苍劲、恢弘厚重的电影感主题，并以笛子长音和重鼓大气收束。
03:10
2026-09-23
故鄉啊，落日黃昏
歌曲以落日、老村、炊煙、母親與泥土意象，描寫遊子多年漂泊後對故鄉的深切思念。旋律由克制低吟逐步推向磅礴合唱，在蒼涼與溫暖之間，呈現血脈牽引、親情守候與終將歸來的情感。
04:38
2026-09-22
二十四小时计
《二十四小时计》是一首温情笃定的华语民谣，用极简木吉他和柔和人声，讲述专注于眼前的平凡生活哲学。
02:45
2026-09-21
愛恨糾葛
本曲結合童音對唱與淒美戲腔，以古箏、竹笛、小提琴及空靈鼓交織出愛恨交織的宿命悲歌，刻畫至深摯愛化為難解心劫的悲愴震撼。
04:18
2026-09-17
年轻得发亮
这是一首温婉而坚韧的现代中国民谣。歌曲以诗意语言倾诉对时光与青春的释怀，纯净声线与原声吉他交织出温暖而明亮的气息。
03:48
2026-09-16
博龍
本曲《博龍》以華夏神話為背景，透過燭龍、應龍與四象神獸的描繪，勾勒出氣勢磅礡的東方史詩畫卷，傳承千秋不朽的華夏民族精神。
04:22
2026-09-12
老式植物标本馆
歌曲借旧衣、番茄、雨伞、裂杯与书页中的种子，追忆一位不解释的女性，以日常节制对照时代口号，最终将生活凝结为一座安静、温暖的植物标本馆。
03:58
2026-09-08
去爱吧
歌曲以细腻克制的民谣编曲，鼓励人们放下迟疑，勇敢去爱、去生活、走自己的路，在阅读、艺术与静默中听见真实的内心。
04:19
2026-09-06
紅橙黃綠藍靛紫
歌曲以紅橙黃綠藍靛紫象徵勇氣、溫柔、希望、成長、包容、奇蹟與浪漫，在神話與愛情交織的彩虹旅程中，描寫相伴穿越距離、等待重逢並於平凡生活綻放的深情。
05:19
2026-09-03
真正重要的东西
歌曲借旧信、薄荷、父亲修好的钟、半把钥匙与留灯等意象，讲述真正重要的情感无需宣告，而藏在陪伴、守候和疲惫时的一句别怕。朴素民谣编曲由克制走向温柔升华，呈现关于家、离别与归途的深情体悟。
04:29
2026-08-31
呂布愛貂蟬
歌曲以三國群雄與美人為背景，透過柔美女聲、琵琶古韻與夢幻弦樂，歌頌呂布對貂蟬不顧江山、至死不渝的愛，也映照亂世英雄的悲壯與無奈。
04:32
2026-08-30
長命百歲
歌曲以幽默反思開場，提醒人們別用財富交換健康；透過流行搖滾、民樂與饒舌，鼓勵從飲食、睡眠、運動與陪伴家人做起，活出長久、自在且無悔的人生。
03:11
2026-08-30
Thinking of You（英文版）
A grieving narrator thinks of a lost beloved across every hour and season. The intimate baritone verses build a cycle of yearning, while operatic choruses erupt with tragic force as dreams collapse into reality and quiet heartbreak.
02:51
2026-08-28
下一站，大学城南
歌曲沿广州地铁线路展开一段关于故人离散的回忆，以站点、田野、夕阳和匆忙人群串联城市旅途，写尽青春告别、人生无解与奔赴远方后的遗憾。
04:07
2026-08-25
下一站，车陂南
歌曲以广州地铁沿线为叙事线索，描绘一段无法重逢的旧日感情。列车驶过田野、大学城、生物岛与车陂南，也载着歌者从期待走向失落，在城市人海中体会告别、漂泊与无解的人生。
04:47
2026-08-25
下一站，海傍
歌曲借广州地铁四号线及沿线站点串联一段未能延续的感情。旅途越长，回忆越深，主人公在城市人潮与熟悉地名之间寻找旧人，最终接受人生没有正确答案的遗憾。
04:19
2026-08-25
Jupiter（皮糖）
歌曲以克制而温柔的叙事口吻，回忆皮糖的善良、羞怯与梦想，借日出、云海和午后阳光表达深藏的爱意，呈现青春记忆中的温柔 longing、遗憾与祝福。
03:55
2026-08-20
Jupiter
歌曲以克制而深情的口吻，回忆一位善良姑娘的形象，写下对她的牵挂、心疼与暗恋。舒缓的民谣旋律在午后阳光、云海和日出的意象中，流露出温柔、忧伤而含蓄的 longing。
03:48
2026-08-20
吾乡惠来
歌曲以民谣笔触串联惠来的城墙、书声、荔枝、英歌与渔港意象，展现山海相依的地域风情，以及游子对故乡、亲情与归航港湾的深厚眷恋。
03:31
2026-08-19
吾乡惠来
歌曲以惠来的古城、山海、荔枝、英歌、甘泉与妈祖文化为意象，描绘游子心中温暖而深情的故乡。男声演绎沉稳悠扬，将地方历史、民俗风情与对家园的眷恋融为一体。
02:14
2026-08-19
Introduction to Chinese Folk Music
Chinese folk music is a genre that encompasses the traditional music of China's various ethnic groups, reflecting the diverse cultural heritage of the nation. Its roots date back thousands of years, originating from the folk songs and dances of ancient China. Over time, it has evolved to include a wide array of styles, ranging from the lyrical melodies of the Han people to the dynamic rhythms of the Mongolian and Tibetan communities. Historically, Chinese folk music has been closely associated with festivals, rituals, and daily life, serving as an important means of cultural expression and storytelling.
Sub-tags and Classifications of Chinese Folk Music
Han Folk Music
Han folk music is the most widely recognized form of Chinese folk music, originating from the Han ethnic group, the largest in China. This sub-tag includes traditional ballads, work songs, and narrative music such as 'Shan'ge' (mountain songs) and 'Xiao'qu' (minor tunes). Han folk music is characterized by its poetic lyrics, melodious tunes, and use of traditional instruments like the guzheng and pipa.
Ethnic Minority Folk Music
This sub-tag covers the music of China's 55 ethnic minority groups, each with its unique style and traditions. For example, Tibetan folk music is known for its spiritual chants and use of the dramyin, a traditional stringed instrument, while the Uyghur folk music from Xinjiang features the energetic 'Maqam' and 'Sanam' dance tunes. These diverse musical forms highlight the rich cultural tapestry of China.
Nanyin (Southern Music)
Nanyin is an ancient musical genre that originated in the Fujian province, often referred to as the 'living fossil of Chinese music.' It is a slow and melodic form of music typically performed with instruments such as the pipa, erhu, and dizi. Nanyin is known for its lyrical content that often deals with themes of love and longing.
Jiangnan Sizhu (Silk and Bamboo Music)
Jiangnan Sizhu is a form of traditional Chinese instrumental music from the Jiangnan region. It is typically performed by small ensembles using string ('silk') and wind ('bamboo') instruments. This genre is characterized by its elegant, flowing melodies and is often performed at social gatherings and teahouses.
Famous Artists and Works in Chinese Folk Music
Wang Luobin
Wang Luobin is often hailed as the 'Father of Chinese Folk Songs.' He is renowned for his work in collecting and adapting traditional folk songs from the northwestern regions of China, such as Xinjiang and Qinghai. His most famous works include 'In That Faraway Place' and 'The Crescent Moon Rises.' Wang's adaptations helped popularize regional folk music across China.
The Moon Mirrored in the Second Spring (Erquan Yingyue)
Composed by the blind folk musician Hua Yanjun, also known as 'A Bing,' 'Erquan Yingyue' is one of the most famous pieces in the Chinese folk repertoire. It is a poignant erhu solo that evokes deep emotions, often interpreted as a reflection on the hardships of life. The piece is known for its expressive use of the erhu's range, capturing both the melancholy and resilience of the human spirit.
Lei Qiang
Lei Qiang is a contemporary master of the erhu, a two-stringed bowed instrument central to many forms of Chinese folk music. He has performed extensively both in China and internationally, contributing to the global appreciation of traditional Chinese music. His works often blend folk elements with modern compositions, creating a bridge between the old and new.
Jasmine Flower (Mo Li Hua)
'Mo Li Hua' is a traditional Chinese folk song that dates back to the 18th century. It has been adapted in various forms and remains one of the most recognized Chinese melodies worldwide. The song is celebrated for its simple yet elegant melody, which is often performed on the guzheng or sung during cultural festivals. Its lyrics praise the beauty of the jasmine flower, symbolizing purity and grace.
Ma Jiuyue
Ma Jiuyue is a renowned composer and performer who has significantly contributed to the modernization and internationalization of Chinese folk music. He is known for his innovative compositions that incorporate traditional Chinese instruments like the guzheng and sheng with orchestral arrangements. His work 'Impression of Yunnan' is particularly celebrated for its rich depiction of ethnic minority music.
In That Faraway Place (Zai Na Yaoyuan De Difang)
This iconic folk song, adapted by Wang Luobin, captures the vastness and romance of the northwestern regions of China. The song's melodic structure and evocative lyrics have made it a timeless piece in Chinese folk music. It is often performed with traditional instruments like the dombra and tambur, adding to its ethnic flavor.
Application Scenarios for Chinese Folk Music
Chinese folk music is often used in movie soundtracks to evoke a sense of place, culture, or historical context. For example, the use of traditional instruments like the guzheng and erhu can create an authentic atmosphere in films set in ancient China or rural settings. This music is particularly effective in conveying emotional depth and cultural richness.
Movie Soundtracks
In advertising, Chinese folk music can be used to connect products with cultural heritage or to evoke nostalgia. For instance, a commercial for a tea brand might use a serene guqin melody to convey the product's connection to traditional Chinese culture and the calmness associated with tea-drinking rituals.
Advertising Music
Chinese folk music is also widely used in video games, especially in genres that require an immersive cultural experience. Games set in historical or fantasy versions of China often feature folk music to enhance the authenticity of the setting. Instruments like the pipa and dizi are frequently used to create themes for characters or locations.
Game Background Music